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The hymn is based on the legend of Annapurna, a form of the goddess Parvati who represents nourishment and sustenance. Her consort, Shiva, is regarded to have begged for food from her to save the inhabitants of earth from starvation after she withdrew all sources of food from living beings.
The Annapurna Sahasranam is dedicated to the goddess and praises her one thousand names, while the Annapurna Shatanama Stotram is dedicated to her 108 names. A few temples exist that are dedicated to her, some of the most prominent being the Annapoorneshwari Temple established by Agastya at Horanadu and Annapurna Devi Mandir in Varanasi.
Annapurna Stotra; Ashtalakshmi Stotra; Dakshinamurti Stotra; Hayagriva Stotra; Hari Stotra; Kanakadhara Stotra; Khadgamala Stotra; Mahishasura Mardini Stotra; Rama Raksha Stotra; Shiva Mahimna Stotra; Shiva Tandava Stotra
It is the only poem in the medieval Mangalkavya tradition that does not create a separate subgenre, as no other poet ever ventured to praise Annapurna in their works. [ 2 ] Annada Mangal is divided into three Books: Annada Mangal or Annada Mahatmya , Bidya Sundar or Kalika Mangal and Mansingh or Annapurna Mangal . [ 3 ]
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The Annapurna Upanishad asserts, in verses 1.13 to 1.15, that delusions are of five kinds. [16] [17] [18] The first is believing in the distinction between Jiva (living being) and god as if they have different forms. [16] The second delusion, asserts the text, is equating agency (actor-capacity, person-ego) as Self.
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The first verse of the Shivananda Lahari is as follows: [5]. Kala'bhyāṁ cuḍā'lankṛta-śaśikalābhyāṁ nijatapaḥ-phalabhyam bhakteṣu prakaṭita-phalabhyam bhavatu me