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Sonata for Clarinet and Piano (Bernstein) Clarinet Sonatas (Brahms) Clarinet Sonata (Howells) Clarinet Sonata (Mendelssohn) Clarinet Sonata (Poulenc) Clarinet Sonata (Ries) Clarinet Sonata (Saint-Saëns) Clarinet Sonatina (Martinů)
The term soprano also applies to the clarinets in A and C, and even the low G clarinet—rare in Western music but popular in the folk music of Turkey—which sounds a whole tone lower than the A. While some writers reserve a separate category of sopranino clarinets for the E ♭ and D clarinets, [ 1 ] those are generally regarded as soprano ...
Homenagem a Schoenberg (1949) for clarinet, viola, cello, and piano; Ernst Krenek. Karl V; Maurice Le Roux. 2 pieces dodecaphoniques, pour piano seul (1945/46) Luigi Nono. Composizione no.1, for orchestra (1951) Variazioni canoniche sulla serie dell’op. 41 di A. Schönberg, for chamber orchestra (1950) Walter Piston
Fantasy-Sonata is a piece in E-flat major for clarinet and piano composed by John Ireland in 1943. The work is Ireland's only extant piece for solo clarinet and one of his last major compositions before his retirement. [1] It is dedicated to Frederick Thurston and was premiered by Thurston and Ireland in January 1944.
Clarinet and piano. [96] Clarinet trio: clarinet, piano, and another instrument (for example, a string instrument). [95] Clarinet quartet: three B ♭ clarinets and bass clarinet; two B ♭ clarinets, alto clarinet, and bass; and other possibilities such as the use of a basset horn, especially in European classical works. [97] [57]
These Konzertstücke are virtuoso concertante works, but the Sonata in E-flat major, written by Mendelssohn in 1824, when he was only 15, is genuine chamber music: the clarinet and the piano are both used equally as a melody and an accompaniment instrument, but the demands on the clarinettist are far more modest than in opp. 113 and 114.
The Grand Duo Concertant, Opus 48, J204, is a three-movement work for clarinet and piano composed by Carl Maria von Weber from 1815 to 1816. It is a virtuosic piece for both instruments. [ 1 ] Weber most likely composed the work for himself (on piano) and his friend Heinrich Baermann , a leading clarinettist of the era, although it has also ...
The contra-alto clarinet [2] is largely a development of the 2nd half of the 20th century, although there were some precursors in the 19th century: . In 1829, Johann Heinrich Gottlieb Streitwolf [], an instrument maker in Göttingen, introduced an instrument tuned in F in the shape and fingering of a basset horn, which could be called a contrabasset horn because it played an octave lower than it.
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