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This chord occurs on different scale degrees in different diatonic scales: In a major scale, it is on the supertonic, mediant, and submediant degrees (, , and ). [3] This is why the ii in a ii–V–I turnaround is a minor seventh chord (ii 7). In a natural minor scale, it is on the tonic, subdominant, and dominant degrees (, , and ). [4]
IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...
Minor major seventh chord. A minor major seventh chord, or minor/major seventh chord (also known as the Hitchcock Chord) is a seventh chord composed of a root, minor third, perfect fifth, and major seventh (1, ♭ 3, 5, and 7). It can be viewed as a minor triad with an additional major seventh.
IV-V-I-VI chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV– ♭ VII–IV: I–IV– ♭ VII–IV. 3: Mix. ii–V–I progression: ii–V–I: 3: Major ii–V–I with tritone substitution (♭ II7 instead of V7) ii– ♭ II –I: 3: Major ii-V-I with ♭ III + as dominant ...
In dominant function, the VII half diminished chord, like its fully diminished counterpart, can take the place of the dominant V chord at a point of cadential motion. This chord, sometimes called a leading-tone diminished seventh chord, is represented by the Roman numeral notation vii ø 7, the root of which is the leading-tone to the tonic. [3]
Diagonal barre chord: major seventh chord on G. [12] Play ⓘ The first finger frets both the second fret on the first string and the third fret on the sixth string. A diagonal barre chord is a "very rare chord" involving "the barring of a couple of strings with the first finger [diagonally] on different frets." [12]
Augmented dominant seventh chord on C. The augmented seventh chord, or seventh augmented fifth chord, [1] or seventh sharp five chord is a seventh chord composed of a root, major third, augmented fifth, and minor seventh (1, 3, ♯ 5, ♭ 7). [2] It can be viewed as an augmented triad with a minor seventh. [3]
A chromatic passing chord is, "a chord that is not in the harmonized scale" [6] For example, one or more diminished seventh chords may be inserted: |Cmaj7 D# dim7' |Em7 C# dim7 |Dm7 |G7 | (in this example, the D# dim7 is the viio7 of Em7 and the C# dim7 is the viio7 of Dm7)