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This is a list of original Roman Catholic hymns. The list does not contain hymns originating from other Christian traditions despite occasional usage in Roman Catholic churches. The list has hymns in Latin and English.
He revised this version for The Hymnal Noted, followed by a further revision, in 1861, for Hymns Ancient and Modern. This version, now with the initial line reading "O come, O come, Emmanuel", would attain hegemony in the English-speaking world (aside from minor variations from hymnal to hymnal). [9] Thomas Alexander Lacey (1853–1931) created ...
"Come, Thou Long Expected Jesus" was the first of a number of Wesley's hymns that became known as the "Festival hymns". These "Festival hymns" were published outside of Methodism by German, John Frederick Lampe in 1746. [7] The hymn came into popular knowledge across Christian denominations in England via popular Baptist preacher, Charles Spurgeon.
The New Century Hymnal is a comprehensive hymnal and worship book published in 1995 for the United Church of Christ.The hymnal contains a wide-variety of traditional Christian hymns and worship songs, many contemporary hymns and songs, and a substantial selection of "world music" selections (hymns and worship songs from non-European-American) origin, a full lectionary-based Psalter, service ...
"The Christmas Song (Chestnuts Roasting on an Open Fire)" Bob Wells, Melvin H. Torme: 3:27: 6. "Santa Baby" Joan Jarvis, Phillip Springer, Tony Springer: 3:24: 7. "Deck the Halls" Traditional, Thomas Oliphant: 2:19: 8. "Sleep Quietly My Jesus" Ruth Heller: 2:51: 9. "I Wish You Christmas" John Milford Rutter: 4:25: 10. "Angels from the Realms of ...
Sunday-School Hymnal, American Lutheran Publication Board (March 9, 1901) [298] [299] Hymnal for Evangelical Lutheran missions (1905) [300] Hymnal and Prayer Book: compiled by the Lutheran Church Board for Army and Navy (1918) [301] Select Songs for School and Home (1922) [302] Lutheran Sunday School Hymnal (1925) [303] Primary and Junior ...
The English version of the hymn uses imagery familiar in the early 20th century, in place of the traditional Nativity story. This version is derived from Brébeuf's original song and Huron religious concepts. In the English version, Jesus is born in a "lodge of broken bark" and
The verses of the hymn progress through the story of Jesus told in his own voice. [ 4 ] [ 5 ] An innovative feature of the telling is that Jesus' life is repeatedly characterized as a dance . This device was later used in the modern hymn " Lord of the Dance ".