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Calligraphy was a valued art form, and was regarded as both an aesthetic and moral pursuit. An ancient Arabic proverb illustrates this point by emphatically stating that "Purity of writing is purity of the soul." [6] Beyond religious contexts, Islamic calligraphy is widely used in secular art, architecture, and decoration. [7]
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Islamic countries have developed modern and contemporary art, with very vigorous art scenes, but the degree to which these should be grouped in a special category as "Islamic art" is questionable, although many artists deal with Islam-related themes, and use traditional elements such as calligraphy.
The Quran, the Islamic holy book, does not prohibit the depiction of human figures; it merely condemns idolatry. [7] [8] Interdictions of figurative representation are present in the hadith, among a dozen of the hadith recorded during the latter part of the period when they were being written down.
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[7] [8] In Islamic culture, the patterns are believed to be the bridge to the spiritual realm, the instrument to purify the mind and the soul. [9] David Wade [b] states that "Much of the art of Islam, whether in architecture, ceramics, textiles or books, is the art of decoration – which is to say, of transformation."
Seljuk mosaic tile decoration from the Kubadabad Palace (early 13th-century Anatolia). The Rub el Hizb (Arabic: رُبْعُ الْحِزْبِ or رُبُعُ الْحِزْبِ, romanized: rubʿ al-ḥizb, lit.
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