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[4] [5] The term "stays" was frequently used in English circa 1600 until the early twentieth century, and was used interchangeably with corset in the Renaissance. [6] The term "jumps," deriving from the French word jupe "short jacket," referred to stays without boning, which were less structured and typically laced in the front.
Hinged iron corset with back clasp opening. 1580–99. York Castle Museum. A steel corset in the Stibbert Museum, Florence, Italy, is dated to the mid-16th century, and thought to be similar to the metal stays recorded as having been made by a corazzaio mastro (master armour-maker) for Eleanor of Toledo, and delivered to her on 28 February 1549. [5]
In 1985, designer Vivienne Westwood re-introduced the corset as a trendy way to enhance cleavage. [178] It was followed in 1989 by Jean Paul Gaultier, who dressed Madonna in a pink corset. Soon, Westwood introduced an elastic-sided variant that worked as a balcony to push up the cleavage. [179]
A corset may also include garters to hold up stockings; alternatively, a separate garter belt may be worn. Advertisement of corsets for children, 1886. A corset supports the visible dress and distributes the weight of large structural garments, such as the crinoline and bustle. Light linen or cotton shifts (also called chemises) were worn ...
In corsetry, a bone is one of the rigid parts of a corset that forms its frame and gives it rigidity. The purpose of the boning in a corset varies slightly from era to era. Generally, the cinching/shaping properties of corsetry puts strain onto the fabric from which the corset is made. The boning supports the desired shape and prevents ...
Dior’s Modern Renaissance Moment in Scotland. Brooke Bobb. June 4, 2024 at 9:34 AM ... a smattering of feminist verbiage on a corset, and a shawl blanket embroidered with a map of Scotland. ...
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