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A scene is a part of a film, as well as an act, a sequence (longer or shorter than a scene), and a setting (usually shorter than a scene). While the terms refer to a set sequence and continuity of observation, resulting from the handling of the camera or by the editor, the term "scene" refers to the continuity of the observed action: an ...
An act is a major division of a theatre work, including a play, film, opera, ballet, or musical theatre, consisting of one or more scenes. [1] [2] The term can either refer to a conscious division placed within a work by a playwright (usually itself made up of multiple scenes) [3] or a unit of analysis for dividing a dramatic work into sequences.
Objective: a single, temporary desire or goal that arises in a character within a scene. (Also called "Intention".) Obstacle: a force opposing a character's "Objective" (or "Intention") which gives rise to dramatic tension and conflict. The Orchestra, The Stalls: seats on the lower part of the theatre.
Act: A division of a play, may be further broken down into "scenes". Also, what the performers do on-stage. [1] Ad-lib: When a performer improvises line on-stage. Derived from ad libitum (Latin). [1] Aisle: An open space amongst seating for passage. [2] Alternate: see Understudy.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
It is a vivid, often dramatic, verbal description of a visual work of art, either real or imagined. Thus, "an ekphrastic poem is a vivid description of a scene or, more commonly, a work of art." [2] In ancient times, it might refer more broadly to a description of any thing, person, or experience.
Features dramatic recitation of historical tales accompanied by stylized movement. Kowakare Emotional scenes (子別れ) depicting parent-child separations, typically performed with shamisen accompaniment. Kudoki Dramatic scenes (口説き) where onnagata actors express deep emotions, similar to operatic arias.
Making the Scene: A History of Stage Design and Technology in Europe and the United States, Tobin Theatre Arts Fund, distributed by University of Texas Press, 2010. Traces the history of scene design since the ancient Greeks. Pecktal, Lynn. Designing and Painting for the Theater, McGraw-Hill, 1995. Details production design processes for ...