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Banjo music originated informally as a form of African folk music over a hundred years ago probably in the sub-Saharan region.When the Americans forced African slaves to work on the plantations, banjo music followed them, and stayed primarily a form of African folk music, up to the 1800s.
As the name suggests, it is usually played with a guitar-style pick (that is, a single one held between thumb and forefinger), unlike the five-string banjo, which is either played with a thumbpick and two fingerpicks, or with bare fingers. The plectrum banjo evolved out of the five-string banjo, to cater to styles of music involving strummed ...
"The banjo had its first big site of growth in this country among the enslaved population in the Chesapeake Bay region, who were my ancestors," Blount says. Meet the musician teaching the banjo's ...
The following is a list of musical instruments from the Africa continent as well as their countries or regions of origin. A Adungu ... Banjo music; Batá drum (Nigeria)
Joel Sweeney. Joel Walker Sweeney (1810 – October 29, 1860), also known as Joe Sweeney, was an American musician and early blackface minstrel performer. He is known for popularizing the playing of the banjo and has often been credited with advancing the physical development of the modern five-string banjo.
The akonting ([ə'kɔntiŋ], [1] or ekonting in French transliteration) is the folk lute of the Jola people, found in Senegal, Gambia, and Guinea-Bissau in West Africa.It is a string instrument with a skin-headed gourd body, two long melody strings, and one short drone string, akin to the short fifth "thumb string" on the five-string banjo.
At seven years-old, when Thompson took up the fiddle himself, he closely observed his father's techniques which were rooted in old-time African tradition. [3] He joined his father and uncle for performances, and later formed his own string band with his older brother Nate and cousin Odell, both of whom were banjo players. [4]
Trough zithers are a group of African stringed instruments or chordophones whose members resemble wooden bowls, pans, platters, or shallow gutters with strings stretched across the opening. [2] A type of zither , the instruments may be quiet, depending upon the shape of the bowl or string-holder.