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It depicts Jesus Christ on the cross in a darkened sky floating over a body of water complete with a boat and fishermen. Although it is a depiction of the crucifixion , it is devoid of nails , blood , and a crown of thorns , because, according to Dalí, he was convinced by a dream that these features would mar his depiction of Christ.
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Once the bearded, long-haired Jesus became the conventional representation of Jesus, his facial features slowly began to be standardised, although this process took until at least the 6th century in the Eastern Church, and much longer in the West, where clean-shaven Jesuses are common until the 12th century, despite the influence of Byzantine art.
More than 100 pages use this file. The following list shows the first 100 pages that use this file only. A full list is available.. Albanians; Anabaptism; Anglicanism; Apostles' Creed
Adventures in Odyssey and the Great Escape - Windows, Mac; Adventures in Odyssey and the Treasure of the Incas - Windows, Mac; Light Rangers: Mending the Maniac Madness - Windows, Mac; VeggieTales Super Silly Fun! - Windows; The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (video game) - PlayStation 2, Xbox, Microsoft Windows ...
Catholics use images, such as the crucifix, the cross, in religious life and pray using depictions of saints. They also venerate images and liturgical objects by kissing, bowing, and making the sign of the cross. They point to the Old Testament patterns of worship followed by the Hebrew people as examples of how certain places and things used ...
God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.
English: Monochrome version of the IHS emblem of the Jesuits. The design of the emblem is attributed to Ignatius of Loyola (1541). the cross is here drawn as formy fitchy; this is not necessarily part of the design, early modern depictions sometimes show a plain cross, or various baroque ornamentations