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" Was mein Gott will, das g'scheh allzeit" (What my God wants should always happen) is a Lutheran hymn in German. The text from c. 1550 is attributed to Albert, Duke of Prussia . The melody, Zahn No. 7568, [ 1 ] goes back to a tune by Claudin de Sermisy , written in 1529 for a secular French song.
SWV 102 – Ach Herr mein Gott, straf mich doch nicht ; SWV 103 – Auf dich trau ich, mein Herr und Gott ; SWV 104 – Mit Dank wir sollen loben ; SWV 105 – Mit fröhlichem Gemüte ; SWV 106 – Wie meinst du's doch, ach Herr, mein Gott ; SWV 107 – Ich trau auf Gott, was soll's denn sein
Mein Gott, wie lang, ach lange BWV 155; BC A 32 / Sacred cantata (2nd Sunday of Epiphany) Bach Digital; Cantata BWV 155 Mein Gott, wie lang, ach lange history, scoring, sources for text and music, translations to various languages, discography, discussion, Bach Cantatas Website
Ach Gott, tu dich erbarmen Death and Dying 160 143 Gott des Himmels und der Erden Morning 161 144 Ich dank dir, lieber Herre Morning 162 145 Aus Meines Herzens Grunde Morning 163 146 Ich dank dir schon Morning 164 147 Das walt mein Gott Morning 165 148 Christ, der du bist der helle Tag Evening 166 149 Christe, der du bist Tag und Licht Evening 167
" Ach Gott, vom Himmel sieh darein" ("Oh God, look down from heaven") is a Lutheran chorale of 1524, with words written by Martin Luther paraphrasing Psalm 12. It was published as one of eight songs in 1524 in the first Lutheran hymnal , the Achtliederbuch, which contained four songs by Luther, three by Speratus , and one by Justus Jonas .
13. Ach, mein herzliebes Jesulein, Mach dir ein rein, sanft Bettelein, Zu ruhen in meins Herzens Schrein, Das ich nimmer vergesse dein. 14. Davon ich allzeit fröhlich sei, Zu springen, singen immer frei Das rechte Susaninne schon, Mit Herzenslust den süßen Ton. 15. Lob, Ehr sei Gott im höchsten Thron, Der uns schenkt seinen ein'gen Sohn.
" Ach Gott, wie manches Herzeleid" (Oh God, how much heartache) is a hymn in German in 18 stanzas attributed to Martin Moller (1587). [1] It is often catalogued as a paraphrase of the Latin "Jesu dulcis memoria", a medieval hymn attributed to Bernard of Clairvaux , [ 2 ] but only a few lines refer directly to this song.
The compositions by Johann Sebastian Bach that had been printed during his lifetime were nearly exclusively instrumental works. Moreover, by the time Bach died in 1750 it was forgotten that a few of his vocal works (BWV 71, BWV 439–507,...) had indeed been printed in the first half of the 18th century. [1]