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Improvisation, in theatre, is the playing of dramatic scenes without written dialogue and with minimal or no predetermined dramatic activity. The method has been used for different purposes in theatrical history. [11] The Ligue d'improvisation montréalaise (LIM) is a league of improvisational theatre based in Montreal, Quebec, Canada
Improvisational theatre, often called improvisation or improv, is the form of theatre, often comedy, in which most or all of what is performed is unplanned or unscripted, created spontaneously by the performers.
The Grand Union was an improvisational dance group that performed improvisation that was not prepared or rehearsed beforehand. [2] Furthermore, and in part thanks to theories on human development that were developed in the 19th century, improvisation started being used in dance therapy and dance education in the 20th century as well.
The "Yes" portion of the rule encourages the acceptance of the contributions added by others. Participants in an improvisation are encouraged to agree to a proposition, fostering a sense of cooperation [2] rather than shutting down the suggestion and effectively ending the line of communication.
Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. [1]
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The history of collaboratively devised performance is as old as the theatre: we see prototypes of contemporary devising practice in ancient and modern mime, in circus arts and clowning, in commedia dell'arte; some cultural traditions, indeed, have always created performance through predominantly collectivist methods (theatre scholar and performance maker Nia Witherspoon, for instance, has ...
John Butt has argued that figured bass is an instance of "purposely incomplete" notation conferring a positive advantage. [18] Accompaniments improvised from a figured bass line can be made to suit varying circumstances e.g. tempi, instrumentation, and even the hall acoustics.