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Audio feedback from microphones occurs when a microphone is too near a monitor or main speaker and the sound reinforcement system amplifies itself. Audio feedback through a microphone is almost universally regarded as a negative phenomenon, many electric guitarists use guitar feedback as part of their performance. This type of feedback is ...
Delayed Auditory Feedback (DAF), also called delayed sidetone, is a type of altered auditory feedback that consists of extending the time between speech and auditory perception. [1] It can consist of a device that enables a user to speak into a microphone and then hear their voice in headphones a fraction of a second later.
Furthermore, modern devices often use a feedback mechanism to monitor and adjust the sound pressure level in the cavity so that it is constant regardless of the cavity / microphone size. Sound calibrators normally generate a 1 kHz sine tone; 1 kHz is chosen since the A-weighted SPL is equal to the linear level at 1 kHz. Sound calibrators should ...
A stereo microphone integrates two microphones in one unit to produce a stereophonic signal. A stereo microphone is often used for broadcast applications or field recording where it would be impractical to configure two separate condenser microphones in a classic X-Y configuration (see microphone practice) for stereophonic recording. Some such ...
In close miking, a microphone is placed relatively close to an instrument or sound source, within three to twelve inches, producing a dry or non-reverberant sound. [1] This serves to reduce extraneous noise, including room reverberation and is commonly used when attempting to record a number of separate instruments while keeping the signals ...
A parabolic microphone is a microphone that uses a parabolic reflector to collect and focus sound waves onto a transducer, in much the same way that a parabolic antenna (e.g. satellite dish) does with radio waves. Though they lack high fidelity, parabolic microphones have great sensitivity to sounds coming from one direction, along the axis of ...
The carbon microphone, by virtue of using a power supply, gives a power gain. This can readily be demonstrated by connecting a battery, microphone and earphone in series. If the microphone and earphone are brought in contact the system will oscillate. This is only possible if the power gain around the loop is greater than unity.
A contact microphone is a form of microphone that senses audio vibrations through contact with solid objects. [1] Unlike normal air microphones, contact microphones are almost completely insensitive to air vibrations but transduce only structure-borne sound.