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Digital Negative (DNG) is an open, lossless raw image format developed by Adobe and used for digital photography. It was launched on September 27, 2004. [ 1 ] The launch was accompanied by the first version of the DNG specification, [ 2 ] plus various products, including a free-of-charge DNG converter utility.
There have been a great number of anamorphic format trade names, for reasons of prestige, technology, or vanity. The basic 35 mm anamorphic format originally popularized as CinemaScope has been known by a number of other monikers. In some cases, these names actually refer to different lens designs and technologies implemented; however, the ...
A format designed by the Joint Photographic Experts Group, that allows files of coloured images to be compressed to a smaller digital file than if the full range of colours were to be saved. Also .JPG as a computer file extension. [8] LBA: Lens buying addiction. Usually used in a jocular sense on camera forums, about a wish to add to an already ...
The purpose of raw image formats is to save, with minimum loss of information, data obtained from the sensor. Raw image formats are intended to capture the radiometric characteristics of the scene, that is, physical information about the light intensity and color of the scene, at the best of the camera sensor's performance. [3]
Highly compressed raster imaging format. No DCS: Kodak DCS Pro RAW Kodak.dcs DCR: Digital Camera Raw Kodak: TIFF .dcr DDS: DirectDraw Surface Microsoft.dds DNG: Digital Negative Adobe Systems: compatible with ISO 12234-2, TIFF/EP [1].dng A raw image format suitable as an archival format and as the native raw format of digital cameras [2] Yes [3 ...
The image sensor format of a digital camera determines the angle of view of a particular lens when used with a particular sensor. Because the image sensors in many digital cameras are smaller than the 24 mm × 36 mm image area of full-frame 35 mm cameras, a lens of a given focal length gives a narrower field of view in such cameras.
Medium format cameras use 120 film, which yields a strip of negatives 60 mm wide, and large format cameras capture each image on a single sheet of film which may be as large as 20 x 25 cm (8 x 10 inches) or even larger. Each of these photographed images may be referred to as a negative and an entire strip or set of images may be collectively ...
The primary reason there were so many different negative formats in the early days was that prints were made by contact, without use of an enlarger. The film format would thus be exactly the same as the size of the print—so if you wanted large prints, you would have to use a large camera and corresponding film format.