Search results
Results from the WOW.Com Content Network
His songs, part-songs and larger-scale vocal works were well-known and lucrative in his lifetime, and they have remained some of his most popular compositions. This list is based upon the Thematisch-Bibliographisches Werkverzeichnis , a comprehensive catalogue of Schumann's works compiled by Margit L. McCorkle and published in 2003.
downloadable, IPA transcriptions, vocal: 1,000 Printable sheet music primarily for singers and voice teachers—most downloadable. Emphasis on standard classical and traditional repertoire. IPA transcriptions available for every German, French, Italian and Latin song in the index. Supplementary information on more than 250 songs. ART SONG CENTRAL
The contralto singing voice has a vocal range that lies between the F below "middle C" (F 3) to two Fs above middle C (F 5) and is the lowest type of female voice. In the lower and upper extremes, some contralto voices can sing from two Bs below middle C (B 2) [1] to two B ♭ s above middle C (B ♭ 5). [2]
For example, a female singer may have a vocal range that encompasses the low notes of a mezzo-soprano and the high notes of a soprano. A voice teacher would therefore look to see whether the singer was more comfortable singing higher, or lower. If she were more comfortable singing higher, then the teacher would probably classify her as a soprano.
Musical repertoire is a collection of music pieces played by an individual musician or ensemble, composed for a particular instrument or group of instruments, voice, or choir, or from a particular period or area.
Successful non-classical baritones display a wide range of vocal qualities and effects that lend a unique character to their voices, many of which are considered undesirable in the operatic or classical baritone singer, such as "breathy" , [3] "distinguished…crooner" , [4] "growling" (Neil Diamond), [5] and even "ragged" (Bruce Springsteen).
This is a complete list of compositions by Claude Debussy initially categorized by genre, and sorted within each genre by "L²" number, according to the 2001 revised catalogue by musicologist François Lesure, [1] which is generally in chronological order of composition date. "L¹" numbers are also given from Lesure's original 1977 catalogue.
This chart only displays down to C 0, though some pipe organs, such as the Boardwalk Hall Auditorium Organ, extend down to C −1 (one octave below C 0). Also, the fundamental frequency of the subcontrabass tuba is B ♭ −1 .