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A vocal score or piano–vocal score is a music score of an opera, or a vocal or choral composition written for orchestral accompaniment, such as an oratorio or cantata. In a piano–vocal score, the vocal parts are written out in full, but the accompaniment is reduced and adapted for keyboard (usually piano). [ 1 ]
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Musical repertoire is a collection of music pieces played by an individual musician or ensemble, composed for a particular instrument or group of instruments, voice, or choir, or from a particular period or area.
vocal score or piano-vocal score A music score of an opera, musical, or a vocal or choral composition with orchestra (like oratorio or cantata) where the vocal parts are written out in full but the accompaniment is reduced to two staves and adapted for playing on piano voce Voice volante Flying volti subito (V.S.) Turn immediately (i.e. turn ...
soprano, tenor, piano 1882 piano reduction of a vocal duet from the opera Hymnis; text: Théodore de Banville. 48: 51: Diane au bois: soprano, tenor, piano 1883–84 piano reduction of a vocal duet from the opera Diane; text: Théodore de Banville; revised 1885; fragments 49: 42: Chanson espagnole: Tra la la… nous venions de voir le taureau ...
Piano, original 2nd version of S.171a/6; arr. for org/harm as S.672d/4 172a A 61 Harmonies poétiques et religieuses (12): pf 1840–47 Piano, original 1st version of S.173 172a/ 1 A 61/ 1 Elevez-vous voix: pf E major 1840–47 Piano, original 1st version of S.172c, S.173/1 172a/ 2 A 61/ 2 Hymne de la nuit: pf E major 1840–47 Piano, original
After producing almost only piano music during the early part of his career, he turned with such vigour in 1839–40 to vocal music that it made up the majority of his published work afterwards. His songs, part-songs and larger-scale vocal works were well-known and lucrative in his lifetime, and they have remained some of his most popular ...
Note that works for piano solo (or, for example, cello solo) are in the solo instrumental category, however, works for 2 or more pianos (2 or more cellos, etc.) are in the chamber category. Many pieces by Feldman are titled after the instruments used: for example, Two Pieces for Clarinet and String Quartet is scored precisely for clarinet and ...
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