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Musical instruments of the Indian subcontinent can be broadly classified according to the Hornbostel–Sachs system into four categories: chordophones (string instruments), aerophones (wind instruments), membranophones (drums) and idiophones (non-drum percussion instruments).
The dholak is a two-headed hand drum, a folk percussion instrument. The dholak is most commonly recognised in countries such as India, Pakistan, Bangladesh, Nepal and Sri Lanka, but can also be found amongst the Indo-Diaspora in countries such as Guyana, Suriname, Fiji, Trinidad and Tobago, South Africa and Mauritius.
A demo of tabla playing. A tabla [nb 1] is a pair of hand drums from the Indian subcontinent.Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, [3] where it may be played solo, as an accompaniment with other instruments and vocals, or as a part of larger ensembles.
In the 1880s, Manpoondia Pillai was a temple lantern-bearer who sought to study drumming. He modified the kanjira to a frame drum with a single pair of jingles and brought the instrument to a classical stage. [1] [2] [3] It is used primarily in concerts of Carnatic music (South Indian classical music) as a supporting instrument for the mridangam.
Anandan "Drums" Sivamani (born 1 December 1959) is an Indian percussionist. He plays many instruments including drums, octoban , darbuka , udukai , ghatam and kanjira . He performed drumming during the Indian Premier League in 2008 and 2010 .
The dhol is a double-sided barrel drum played mostly as an accompanying instrument in regional music forms. In Qawwali music, the term dhol is used to describe a similar, but smaller drum with a smaller tabla, as a replacement for the left-hand tabla drum. The typical sizes of the drum vary slightly from region to region.
One of the highlights of a modern Carnatic music concert is the percussion solo (thani avarthanam), where the mridangam artist and other percussionists such as kanjira, morsing, and ghatam vidwans exchange various complex rhythmic patterns, culminating in a grand finale where the main artist resumes where he or she left off.
These drums disseminated to the Indian subcontinent with the Mughal migration, and from India spread worldwide with the Indian diaspora. The tassa drum proper is a conical or bowl-shaped nagaara- (aka nagada or nagaada) type drum which is played with a heavy bass drum called dhol, or simply "bass", and brass cymbals or metal shakers called ...