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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
RV numbers below 741 were assigned systematically, with vocal works following 585 instrumental ones; as additional works are discovered or confirmed, they are assigned numbers above 740. Instrumental works were first sorted by category, instrumentation and key (beginning with C Major), and then assigned sequential numbers.
Musical repertoire is a collection of music pieces played by an individual musician or ensemble, composed for a particular instrument or group of instruments, voice, or choir, or from a particular period or area.
More important than range in voice classification is tessitura, or where the voice is most comfortable singing, and vocal timbre, or the characteristic sound of the singing voice. [1] For example, a female singer may have a vocal range that encompasses the low notes of a mezzo-soprano and the high notes of a soprano.
The contralto singing voice has a vocal range that lies between the F below "middle C" (F 3) to two Fs above middle C (F 5) and is the lowest type of female voice. In the lower and upper extremes, some contralto voices can sing from two Bs below middle C (B 2) [1] to two B ♭ s above middle C (B ♭ 5). [2]
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types.It is the highest male chest voice type. [1] Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B 2 to G 4) in choral music, and from the second B flat below middle C to the C above middle C (B ♭ 2 to C 5) in ...
His songs, part-songs and larger-scale vocal works were well-known and lucrative in his lifetime, and they have remained some of his most popular compositions. This list is based upon the Thematisch-Bibliographisches Werkverzeichnis , a comprehensive catalogue of Schumann's works compiled by Margit L. McCorkle and published in 2003.
The letters of the abbreviation are also used by publishers to describe different scorings for soloists and choirs other than four-part harmony. For example, the listing "STB solos, SATB choir" of Bach's Wachet auf, ruft uns die Stimme, BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. [5] "