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"E=MC 2" is a 1986 single by the English band Big Audio Dynamite, released as the second single from their debut studio album, This Is Big Audio Dynamite (1985). The song was the band's first Top 40 hit on the UK Singles Chart, peaking at number 11.
"The Lineman," originally titled "Man, Go Man," is an instrumental composed by Ralph Dollimore. The best-known version of the song is a cover version that was produced by Sam Spence , which has been featured in many NFL Films highlights videos and documentaries.
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The story is based on traditional Slavic folklore about the rusalki, river-dwelling mermaids said to be "born" from the unhappy souls of young women who had committed suicide by drowning—usually after being mistreated by a man. The Russian "mermaid" is, for this reason, a dangerous creature more akin to the Greek sirens than to the American ...
1. ^ On this release, the title of "Drowning Man" was changed to "Drowning Man (Drowning)". [33] 2. ^ This cover of "Even Better Than the Real Thing" was released as the "Julian Beeston Mix". [9] 3. ^ This cover was in Serbian language and entitled "Model donjeg veša" (transl. "Lingerie Model"). [94]
"Under the Sea" is a song from Disney's 1989 animated film The Little Mermaid, composed by Alan Menken with lyrics by Howard Ashman. [3] It is influenced by the calypso style of the Caribbean which originated in Trinidad and Tobago, as well as reggae, which originated in Jamaica. [citation needed] The song was performed in the film by Samuel E ...
"Fathoms Below" is the opening song from the 1989 animated Disney feature film The Little Mermaid. A rousing sea shanty written by Alan Menken and Howard Ashman, the song is sung by the ship's crew on the film's original soundtrack. An extended version with additional lyrics by Glenn Slater appears in the 2008 stage adaptation of the musical. [1]
Owing to the large promotional push by Island Records for To Bring You My Love, the video received a higher budget than Harvey's two previous music videos for the company. It was recorded with a large crew over the course of two days in London, in contrast with the "anti-pop" video for "Man-Size", and was shot on 35mm film.