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The Brighton Dome is an arts venue in Brighton, England, that contains the Concert Hall, the Corn Exchange and the Studio Theatre (formerly the Pavilion Theatre). All three venues are linked to the rest of the Royal Pavilion Estate by a tunnel to the Royal Pavilion in Pavilion Gardens and through shared corridors to Brighton Museum.
Date/Time Thumbnail Dimensions User Comment; current: 19:55, 23 January 2014: 1,850 × 2,500 (1.3 MB): Hassocks5489 {{Information |Description=One of the onion domes on Brighton's Royal Pavilion, viewed from the east (Grand Parade). |Source={{own}} |Date=2013-05-27 |Author= Hassocks5489 |Permission= |other_versions= }} [[Category:Royal Pavilion...
The Royal Pavilion (also known as the Brighton Pavilion) and surrounding gardens is a Grade I listed [1] former royal residence located in Brighton, England. Beginning in 1787, it was built in three stages as a seaside retreat for George, Prince of Wales, who became the Prince Regent in 1811, and King George IV in 1820.
The Brighton Dome Studio Theatre (formerly the Pavilion Theatre) is a theatre in Brighton, England. It is part of the wider Brighton Dome complex of buildings. It was built in 1935, originally as a supper room, but later converted into a theatre. Its audience capacity is 232 seated or 350 standing.
Brighton Centre is a conference and exhibition centre located in Brighton, England. It is the largest of its kind in southern England, [ 3 ] and is regularly used for conferences of the UK political parties and other bodies of national importance.
Playing 89 shows in 1972, the most until 1994, Pink Floyd debuted the new suite live on 20 January at the Brighton Dome. Partway through, when playing "Money", a lack of power led to the backing tape slowing down and going out of time, causing the group to stop. After a break, they came back and played "Atom Heart Mother" instead. [5]
Featuring a "safe, semi-exposed" clear glass dome with a pair of seats inside, SkyDeck would give passengers a 360-degree view of the open sky around them -- a true bird's eye view, if you will ...
Panoramic view of the interior of the theatre. In 1984, London impresario David Land, bought the theatre and subsidised productions at the theatre out of his own pocket up to £400,000 a year. [4] Land and later his son, Brook, ran the theatre for a decade and a half revitalising the Royal with popular acts. [5]
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