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Another typical aspect is the fact that one can hear the same or similar bass figures and harmonies throughout the piece, which explains the title. If one word would have to catch the essence of Canto Ostinato, one could use "meditative", as the different sections are similar, but generate different emotional reactions.
In music, an ostinato (Italian: [ostiˈnaːto]; derived from the Italian word for stubborn, compare English obstinate) is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch.
"Bayan Ko" (usually translated as "My Country"; Spanish: Nuestra patria, lit. 'Our Motherland') is one of the most recognizable patriotic songs of the Philippines.It was written in Spanish by the revolutionary general José Alejandrino in light of the Philippine–American War and subsequent American occupation, and translated into Tagalog some three decades later by the poet José Corazón de ...
Ug sa tanang pasko magmalípayon. Bag-ong tuíg, bág-ong kinabúhì. Dinuyogan sa átong mga pagbati. Atong awiton ug atong laylayon Aron magmalípayon. Kasadya ni'ng Táknaa Dapit sa kahimayaan. Mao ray among nakita, Ang panagway nga masanagon. Buláhan ug buláhan Ang tagbaláy nga giawitan. Awit nga halandumon, Ug sa tanang pasko magmalípayon.
The record's lead single "Buhay Ng Buhay Ko" was written by Pedero and was originally recorded by Leah Navarro. [6] Two more singles, "Anak" and "Sa Ugoy Ng Duyan", were released in 1992 from Tagala Tagala. [5] Velasquez released her fourth studio album Reason Enough in 1993. [7]
"Bagong Pagsilang" (English: New Birth or Rebirth), also known as the "March of the New Society" and incorrectly referred to by its chorus "Sa Bagong Lipunan" (In the New Society), is a march commissioned during the presidency of Ferdinand Marcos for the Kilusang Bagong Lipunan or New Society Movement, a movement introduced by Marcos upon the ...
Levi Celerio was born on April 30, 1910 in Tondo, Philippines to Cornelio Cruz and Juliana Celerio and was born to a poor family.Celerio's affinity for music was a result of influence from his mother who is a harpist and a member of a church choir. [2]
It made all Portuguese hearts pant for the fight … and as the voices joined the music, Vencer o morir [Vencer ou morrer] was not sung without meaning." After D. Peter of Braganza became king and provided a new constitution, the song " Hymno da Carta " became more commonly used as the anthem, and the latter was officially decreed as such in 1834.