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A tempo map is a part of a MIDI file. Musical events occur as a succession of events in time, whose speed is tempo. Music also organizes these according to a framework called meter, by partitioning time into patterns of "strong" and "weak" beats. MIDI's tempo map specifies the speed at which a file's events are transmitted within this framework ...
CommaVid was a game developer and publisher for the Atari 2600 that released six games between 1981 and 1983, plus a programming tool for the console. [1] The company was founded by Dr. Irwin Gaines, Dr. John Bronstein, and Dr. Joseph Biel [2] under the name Computer Magic Video, which was shortened to Com Ma Vid, or CommaVid. [2]
Even works that do not require a strictly constant tempo, such as musical passages with rubato, sometimes provide BPM markings to indicate the general tempo. Another mark that denotes tempo is M.M. (or MM), for Maelzel's Metronome. The notation M.M. is usually followed by a note value and a number that indicates the tempo, as in M.M. = 60.
In popular music, half-time is a type of meter and tempo that alters the rhythmic feel by essentially doubling the tempo resolution or metric division/level in comparison to common-time. Thus, two measures of 4 4 approximate a single measure of 8 8, while a single measure of 4/4 emulates 2/2. Half-time is not to be confused with alla breve or ...
Most time signatures consist of two numerals, one stacked above the other: The lower numeral indicates the note value that the signature is counting. This number is always a power of 2 (unless the time signature is irrational), usually 2, 4 or 8, but less often 16 is also used, usually in Baroque music. 2 corresponds to the half note (minim), 4 to the quarter note (crotchet), 8 to the eighth ...
Metric modulation: 2 half notes = 3 half notes or Play with eighth note subdivision for tempo/metre comparison. Thus if the two half notes in 4 4 time at a tempo of quarter note = 84 are made equivalent with three half notes at a new tempo, that tempo will be:
Music inherited the term "meter or metre" from the terminology of poetry. [16] [17] [44]) The metric structure of music includes meter, tempo and all other rhythmic aspects that produce temporal regularity against which the foreground details or durational patterns of the music are projected. [45]
The last movement of Joseph Haydn's Piano Sonata XVI:12, written as early as the 1750s, has been claimed to use exclusively seven-measure units in its background, if not in its foreground. Performers typically choose a tempo such that the notated 3 8 measure sounds like a single beat, projecting a perception of 21 8 septuple meter. [13]
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