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Zoom Corporation was founded in Tokyo in 1983 and in 2004, established ZOOM HK LTD as a logistics base in Hong Kong. In 2009, it set up ZOOM Dongguan Corporation (China) as a quality control operation; [3] 2013, formed ZOOM North America, LLC (US) as a distribution base; 2017, listed on Tokyo Stock Exchange JASDAQ (Standard); [4] [5] In 2018, acquired shares of Mogar Music S.p.A. (Italy ...
Google Play Music: 2011 15000 Trial-ware: 50,000 General United States: Jamendo: 2005 400000 Free — General Luxembourg: Live Music Archive: 1996 170000 Free — General United States: Musopen: 2005 — Free — Classical music: United States: Noise Trade: 2008 — Free 1.3000000 General United States: SoundCloud: 2007 125000000 Free 40000000 ...
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The Free Music Archive (FMA) is an online repository of royalty-free music, currently based in the Netherlands. [1] Established in 2009 by the East Orange, New Jersey community radio station WFMU and in cooperation with fellow stations KBOO and KEXP , it aims to provide music under Creative Commons licenses that can be freely downloaded and ...
The Free Music Philosophy [1] generally encourages creators to free music using whatever language or methods they wish. A Free Music Public License (FMPL) [2] is available for those who prefer a formal approach. Some free music is licensed under licenses that are intended for software (like the GPL) or other writings (the GFDL).
This story, which featured spoken recitations, ends unresolved. "Patches" was included on Chairmen of the Board's first album, The Chairmen of the Board (later reissued as Give Me Just a Little More Time), and was the B-side of the group's July 1970 single, "Everything's Tuesday", their third chart hit. [4] [5]
"Patches" is a song written by Barry Mann and Larry Kolber [1] and performed by Dickey Lee. The song was produced by Bill Hall and Jack Clement. [2] It was featured on his 1962 album The Tale of Patches. [3] It reached No. 6 on the U.S. pop chart and No. 10 on the U.S. R&B chart in 1962. [4]
[4] [5] Originally called The Patcher, this first version provided composers with a graphical interface for creating interactive computer music scores on the Macintosh. At this point in its development Max couldn't perform its own real-time sound synthesis in software, but instead sent control messages to external hardware synthesizers and ...