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Draped paintings are paintings on unstretched canvas or fabric that are hung, tied, or draped from individual points and allowed to bunch or fold. The style was developed in the late 1960s and 1970s by several groups of artists, and popularized most notably by American artist Sam Gilliam, who created a large number of Drape paintings throughout his career, often as large-format installation ...
A cloth of honour or cloth of estate is a simpler cloth hanging vertically behind the throne, usually continuing to form a canopy. [2] It can also be used for similar canopies in interior design, for example above beds, and for processional canopies used in formal state ceremonies such as coronations, held up by four or more men with poles ...
The final lines are drawn and the patta is given a lacquer coating to protect it from weather, thus making the painting glossy. This process of glazing or varnishing is quite interesting. The painting is held over a fireplace so that the back of the painting is exposed to heat. On the surface of the painting fine lacquer is applied. [citation ...
The choice of paint color on the walls in Victorian homes was said to be based on the use of the room. Hallways that were in the entry hall and the stair halls were painted a somber gray so as not to compete with the surrounding rooms. Most people marbleized the walls or the woodwork.
Bed-mould or bed moulding: Narrow moulding used at the junction of a wall and ceiling, found under the cornice, of which it is a part. [2] Similar to crown moulding, a bed mould is used to cover the joint between the ceiling and wall. Bed moulds can be either sprung or plain, or flush to the wall as an extension of a cornice mould. [3]
Drapery used as window curtains. Drapery is a general word referring to cloths or textiles (Old French draperie, from Late Latin drappus [1]).It may refer to cloth used for decorative purposes – such as around windows – or to the trade of retailing cloth, originally mostly for clothing, formerly conducted by drapers.
In their study, Mora, Mora, and Philippot cite four reasons for the "over-use" of detachment: the 19th-century division of the arts that privileged a "painting" divorced from its architectural and historical context; insensitivity to the aesthetic consequences, often partially concealed by restorers; the curiosity of art historians looking for sinopie; or perceived savings relating to the ...
Nigeria is also known for its two-tone indigo resist designs, created by repeat dyeing of cloth painted with cassava root paste to create a deep blue; the paste is then washed out and the cloth dyed a final time. Quality cloth is dyed 25 or more times to create a deep blue-black color before the paste is washed out.
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