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Tea canister, about 1768, Worcester porcelain factory (V&A Museum no. 1448&A-1853). Royal Worcester is a porcelain brand based in Worcester, England.It was established in 1751 and is believed to be the oldest or second oldest remaining English porcelain brand still in existence today, although this is disputed by Royal Crown Derby, which claims 1750 as its year of establishment.
John (snr)produced five sons, three following in their father's footsteps and becoming painters at the Worcester factories. John Stinton was the eldest son, but did not take up china painting until the rather late age of thirty five. Besides Highland cattle, he depicted English cattle and produced many fine images of British castles on his ...
The Royal Worcester fruit painters were a group of painters who specialized in depicting fruits on porcelain tableware. The tradition originated with the painter Octar H. Copson, who in 1880 had also painted a plaque commissioned by a local farmer to commemorate the introduction of the Pershore plum.
The Royal Worcester Visitor Centre, the seconds shop, and the café all closed with the factory in 2009. [citation needed] The Museum of Royal Worcester was formerly known as the Museum of Worcester Porcelain and the Dyson Perrins Museum and Worcester Porcelain Museum, after Charles William Dyson Perrins of Worcestershire sauce fame.
The Lowestoft Porcelain Factory was a soft-paste porcelain factory on Crown Street (then Bell Lane) in Lowestoft, Suffolk, England, which was active from 1757 to 1802. [1] It mostly produced "useful wares" such as pots, teapots, and jugs, with shapes copied from silverwork or from Bow and Worcester porcelain. [ 2 ]
James Giles. James Giles (1718–1780) was a decorator of Worcester, Derby, Bow and Chelsea porcelain and also glass, who created gilt and enamelled objects such as decanters, drinking-glasses, perfume bottles and rosewater sprinklers, for a rococo and neoclassical market.
Sadler and Green printed in Liverpool, where their trade included overglaze printing on tin-glazed earthenware, porcelain, and creamware. [13] Transfer printing on porcelain at the Worcester porcelain factory in the 1750s is usually associated with Robert Hancock, an etcher and engraver, who signed some pieces and had also worked for Bow ...
The son of Henry Sandon, a notable authority on Royal Worcester porcelain, John Sandon left school aged 16 and went to work at auction house Bonhams (formerly Phillips) in London in 1975, where he quickly established himself as a porcelain specialist.
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