Search results
Results from the WOW.Com Content Network
A demo of tabla playing. A tabla [nb 1] is a pair of hand drums from the Indian subcontinent.Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, [3] where it may be played solo, as an accompaniment with other instruments and vocals, or as a part of larger ensembles.
The film music of Tamil Nadu is widely known for its innovation and eclecticism. Scores may showcase blends of Carnatic, Western and other instruments, with a range of melodic and rhythmic patterns. Orchestral themes and minimalist songs often feature. Recent trends show the prevalence of synthesizers and other electronic instruments.
There is a larger version called Periya Parai or Perum Parai (Periya or Perum meaning "large" in Tamil), which is a fat, stockier double-sided drum, similar to a Dhol or Dholak. [ 17 ] [ 12 ] This is a larger drum made of hollowed wood, about 30–40 in (760–1,020 mm) in length with a diameter of 10–20 in (250–510 mm) with a stretched ...
Urumi melam ensembles usually consists of double-reed instruments Nadaswaram, a pair of double headed drums called pambai, and one to three urumi drums; this particular ensemble is associated exclusively with funerals and other inauspicious occasions. The naiyandi melam is the most common type of folk ensemble associated with ritual and dance.
The feature film soundtrack to the 2018 Indian Tamil-language coming-of-age romance film 96 is composed by Govind Vasantha. The film starred Vijay Sethupathi and Trisha in the leading roles, and was directed by cinematographer C. Prem Kumar in his directorial debut. It revolves around two high school sweethearts, Ram and Jaanu, hailing from the ...
Thaanaa Serndha Koottam is the soundtrack to the 2018 film of the same name directed by Vignesh Shivan and produced by Studio Green starring Suriya.The film's musical score is composed by Anirudh Ravichander, whose soundtrack featured five songs with lyrics written by Vignesh, Thamarai and Mani Amudhavan.
The early narrative poem Cilappatikaram, belonging to the post-Sangam period (5th or 6th century) also mentions various forms of music practiced by the Tamil people. Music was an integral part of the compositions of the Tamil Saiva saints such as Appar, Siva Prakasar, Thirugnana Sambanthar and Manikkavasagar during the Hindu revival period ...
In the 1880s, Manpoondia Pillai was a temple lantern-bearer who sought to study drumming. He modified the kanjira to a frame drum with a single pair of jingles and brought the instrument to a classical stage. [1] [2] [3] It is used primarily in concerts of Carnatic music (South Indian classical music) as a supporting instrument for the mridangam.