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Printing on glass with UV pinning and curable inks came about almost 60 years later. In this method of printing, ultraviolet waves are applied on the inks, drying them to the glass. This method was the first to enable the digital printing on glass of any digital image including multi color and complex images.
In printing and graphic arts, mixing of two dissimilar colors in two adjacent printed dots before they dry and absorb in substrate is referred to as color bleeding. [1] Unless it is done for effect, color bleeding reduces print quality. Prior art applied this term to the phenomenon of single color ink following the fibers of the paper. [2]
Similarly, spray powder is not generally used in sheet-fed (silk) screen-printing, ink-jet or toner based digital printing. In the UK, many Carrom players use a version of anti-set-off spray powder from the printing industry [citation needed] which has specific electrostatic properties with particles of 50 micrometres in diameter.
Bottles of ink from Germany Writing ink and a quill. Ink is a gel, sol, or solution that contains at least one colorant, such as a dye or pigment, and is used to color a surface to produce an image, text, or design. Ink is used for drawing or writing with a pen, brush, reed pen, or quill.
A permanent marker can also be removed by drawing over it with a dry erase marker on non-porous surfaces such as a whiteboard, [3] as dry erase markers also contain a non-polar solvent. Most dry-erase board cleaner solutions also contain effective organic solvents like 2-butoxyethanol to remove the pigment.
Glass printing involves applying images, patterns, or text to glass surfaces. Various techniques can be used, each offering distinct aesthetic and functional results.
Also, because of the characteristics of the way the burrs catch ink, the direction of the wiping matters. Ink tends to pile up in the lee of the burr during the application of the ink and wiping with the tarlatan, so if the printer wipes in the direction of the lines with their hand, they may remove most of the ink, leaving a light gray line.
Thinner traps are less visible. Therefore, the trap width is set to a strict minimum, dictated by the maximum amount of misregistration of the entire workflow up to the press. When printing at 150 lpi, traps are usually between 1/150 and 1/300 inch (0.48 pt and 0.24 pt, 0.16 mm and 0.08 mm). These values are usually multiplied by 1.5 or 2 when ...