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The band described the album as "adult contemporary progressive death metal". [6] [7]Dave Donnelly of AllMusic described the music of Colors as being "an anomaly on the otherwise more conservative, pop-punk and hardcore oriented Victory Records label" noting that the group "play a progressive style of extreme metal" which incorporated a range of styles.
Resurrection Band embraced a more radio-friendly rock and metal sound with this album, which is a mix of personal reflections on God's sovereignty and love ("Autograph," "Amazing" and the title track), the harsh life of the inner city ("N.Y.C.", "Beggar in the Alleyway"), and the need for personal redemption ("City Streets", "The Struggle ...
"Colors" was sent to alternative radio on April 10, 2018, [8] as the album's fourth single in the United States. A video was released exclusively for Apple Music on March 29, 2018, directed by Edgar Wright and featuring Alison Brie. [34] The song "Colors" was later included as a demo project in the program Logic Pro. [35]
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Christgau's Consumer Guide: Albums of the '90s is a music reference book by American music journalist and essayist Robert Christgau.It was published in October 2000 by St. Martin's Press's Griffin imprint and collects approximately 3,800 capsule album reviews, originally written by Christgau during the 1990s for his "Consumer Guide" column in The Village Voice.
Nicholas Senior describes, "Colors isn’t immediate, but with time it proves to be the group’s most complete album yet." [7] Christopher Smith says, "Colors is...an ambitious and unique piece of art that is best experienced with speakers blaring." [3] Jonathan J. Francesco writes, "Colors finds them doing what they do best."
On the cover of the album, Swift is sporting blue ombré-d hair in front of a swirling background of colorful clouds. You can also really see Swift's desire to color the world of "Lover" in the ...
PopMatters critic Kevin Korber gave the album 6 out of 10. He said that it was "hard to say if the book itself is essential, though many of the albums it covers are", but praised Earles' enthusiasm and concluded that he "wrote this book for the right reasons, and he’s sure to find an audience receptive to his take on this era of American music."