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The E-flat (E ♭) clarinet is a member of the clarinet family, smaller than the more common B ♭ clarinet and pitched a perfect fourth higher. It is typically considered the sopranino or piccolo member of the clarinet family and is a transposing instrument in E ♭ with a sounding pitch a minor third higher than written. The E-flat clarinet ...
In some manuscripts, a clarinet with the term Alafà indicated the piccolo in A♭. [13] It has found a niche in contemporary art music and clarinet choirs, and the A♭ and G clarinets are the only sizes of clarinet higher than the E♭ sopranino still manufactured. [1]
The clarinet family is a woodwind instrument family of various sizes and types of clarinets, including the common soprano clarinet in B♭ and A, bass clarinet, and sopranino E♭ clarinet. Clarinets that aren't the standard B♭ or A clarinets are sometimes known as harmony clarinets.
Serenade in E-flat major (Saint-Saëns) Serenade No. 11 (Mozart) Sextet for Horns and String Quartet (Beethoven) Sinfonia Concertante for Four Winds; Sinfonia Concertante for Violin, Viola and Orchestra (Mozart) Someday I'll Find You; Sonata No. 6 in E-flat major (J. C. F. Bach) Souvenir d'un lieu cher; The Stars and Stripes Forever
The modern clarinet did not exist before about 1700. There are, however, a number of concertos written for its antecedent, the chalumeau.. The discovery of six clarinet concertos by Johann Melchior Molter (1696–1765) — the first of which may date from 1743 [5] — and three concerti grossi for clarinet and oboe written by Antonio Vivaldi (1678–1741) as far back as 1711 [6] have led music ...
The term soprano also applies to the clarinets in A and C, and even the low G clarinet—rare in Western music but popular in the folk music of Turkey—which sounds a whole tone lower than the A. Some writers reserve a separate category of sopranino clarinets for the E ♭ and D clarinets, [ 1 ] while some regarded them as soprano clarinets.
The 1st movement, in E-flat major, begins with an exposition of the main theme by the orchestra. The clarinet soloist enters with a high F (E-flat in terms of concert pitch) followed by a 3 octave jump before repeating the opening theme. This 3 octave jump, along with other large leaps, is stylistic of this movement.
The E-flat major theme is sixteen bars in length. [2] The next section is marked poco più vivo. In some editions, what follows is "Variation I", though it could be argued that the previous section is actually the first variation. In any event, the so-called Variation I presents variations of the theme in triplets.
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