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The band was formed as a result of Lyle and McEwan meeting during a co-writing workshop in 2012 in North Hollywood, CA. [2] [3] Inspired in part by the score for Drive, and the retro synth genre growing around its release, [3] the pair wrote two singles, "WeMoveForward" and "Gloria", that would be released two years later in 2014 as part of their debut EP titled Days of Thunder.
The song was chosen by the big-band leader Randy Brooks the next year as his theme song. [ 2 ] The version by the Viscounts has the distinction of being released twice and rising high on the Billboard charts each time: [ 3 ] first in 1959, when it peaked at #52, and again in 1966, peaking at #39 on the Billboard Hot 100 chart.
The album deals with themes of romance, lost love and nostalgia within a backdrop of 1980s-style synthwave. [5] In an interview with Icon vs Icon, the band confirmed that Monsters is a thematic continuation of their previous album Kids, focusing on adolescence, closeness and alienation from the perspective of a teenager.
Dowland's song "Come Heavy Sleepe, the Image of True Death" was the inspiration for Benjamin Britten's Nocturnal after John Dowland, written in 1963 for the guitarist Julian Bream. It consists of eight variations, all based on musical themes drawn from the song or its lute accompaniment, finally resolving into a guitar setting of the song itself.
Aubade, "a song or instrumental composition concerning, accompanying, or evoking daybreak" Night music, nocturnal music of Hungarian composer Béla Bartók; Nocturne, a 1961 jazz album by Oliver Nelson; Nocturne, a 1983 live album by Siouxsie and the Banshees; Nocturne: Blue and Gold – Old Battersea Bridge by Whistler (painted c. 1872–75)
Midnight Blue is a 1963 [5] [6] [7] album by jazz guitarist Kenny Burrell featuring Stanley Turrentine on tenor saxophone, Major Holley on double bass, Bill English on drums and Ray Barretto on conga, and is one of Burrell's best-known works for Blue Note. [8]
Nocturnal Animals ending: What happens to Edward and Susan? Susan continues to read Edward's novel. In the story, one of the three men who abducted and murdered Laura and India has been killed in ...
Midnight Pine began as the soundtrack for an independent film. The group aimed for a quieter sound than the previous disc The Careless Flame, avoiding ambient noise or electric guitar. [1] DJ Stephen "Anatomy" Lewis told Paris-based website PopNews that the move to a quieter sound reflected his own nocturnal habits: "I live at night.