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The Parroquia de Santa Prisca y San Sebastían, commonly known as the Church of Santa Prisca, is a colonial monument located in the city of Taxco de Alarcón, in the southern state of Guerrero, Mexico, built between 1751 and 1759. It is located on the east side of the main plaza of Taxco.
The monument's official name is Altar a la Patria (Altar to the Homeland), but it is better known as the Monumento a los Niños Héroes (Monument to the Boy Heroes) and many official texts use the popular name instead of the official name. [5]
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Grupo Bimbo, S.A.B. de C.V. (also known simply as Bimbo) is a Mexican multinational food company with a presence in over 33 countries located in the Americas, Europe, Asia and Africa. [1] It has an annual sales volume of 15 billion dollars [ 2 ] and is listed on the Mexican Stock Exchange with the ticker BIMBO.
The Virgin of Miracles or Saint Mary of La Rábida (Spanish: Virgen de los Milagros or Santa María de la Rábida) is a religious Roman Catholic image venerated at the La Rabida Monastery in the city of Palos de la Frontera (Huelva, Spain). The image is in Gothic style, from approximately the 13th century, carved in alabaster.
The Altar was located at the center of El Parque Independencia by architect Cristian Martínez Villanueva. [ 2 ] Prior to being placed in the Altar de la Patria, the remains of the founding fathers were kept at Capilla de los Inmortales de la Catedral de Santo Domingo (Chapel of the Immortals of the Cathedral of Santo Domingo).
The Basilica of Santa María de Guadalupe, officially called Insigne y Nacional Basílica de Santa María de Guadalupe (in English: Basilica of Our Lady of Guadalupe) is a basilica of the Catholic Church, dedicated to the Virgin Mary in her invocation of Our Lady of Guadalupe, located at the foot of the Hill of Tepeyac in the Gustavo A. Madero borough of Mexico City.
It comes from the disappeared monasterio de Santa María de la Vega, of regular canons of Saint Augustine located in the fertile valley of the Tormes river. It must be dated in the 12th century, follows Byzantine models, immobile, holds on his knees the child, showing it to the spectator with his right hand.