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In 2018, a copy of Antrum surfaces, prompting a documentary crew to make a short film on its history and impact. Although the origins of the movie remain unknown, scientists and film experts who examine the 35 mm reel determine that, among other unique properties, the film utilizes disorienting sounds and subliminal imagery. The documentary ...
Official logo. This is a list of films shot partially or in full with IMAX cameras, either on 15/70 film, with the Phantom 65 IMAX 3D, with the ARRI Alexa IMAX, with other IMAX-certified digital cameras or IMAX Live Events shot with IMAX-certified cameras.
The CP-16 used a variety of Angenieux lenses, a favorite among television news photographers was the 9.5 - 57mm zoom with a F1.6-2.2 aperture making it a very versatile camera; an operator could quite literally shoot an interview in a closet. The CP-16R series used a spinning mirror shutter. Documentary director Curtis Choy films with a CP-16.
California Conquest (1951) The Call of the Wild (1935) Casey Jones (1957) TV Series; Cat Story (1988) Catch My Smoke (1922) The Charge of the Light Brigade (1936) Chattanooga Choo Choo (1983) The Cimarron Kid (1951) Cimarron Strip (1967) TV Series; Come Live with Me (1941) Conflict (1936) The Conquering Horde (1931) The Conquerors (1932) The ...
The following movies were filmed using 65mm or 70mm negative stock. Titles are followed by the photographic process(es) employed. Releases produced in Todd-AO, Todd-70, Super Panavision 70 (also known as Panavision 70), Panavision System 65 (also known as Panavision Super 70), Dimension 150, Arri 765 and Superpanorama 70 (also known as MClS 70 and MCS Superpanorama 70) were photographed with ...
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Panchromatic medium speed black-and-white negative cine camera film for both outdoor and indoor usage [175] Germany: 135-36 Original Wolfen: NP100: 2022-T: 100: B&W: Print: Fine grained still film. ORWO UN54 with an added dyed anti-haltion layer. [174] [176] [177] Germany: 135-36 Original Wolfen: P400: 2022-T: 250: B&W: Print
1935 model Mitchell NC Camera Mitchell Standard 35mm camera - The original Mitchell rackover pin-registered studio camera, introduced in 1920 as a hand-cranked silent film camera. The rackover device allowed the camera portion with its side-mounted viewfinder to be "racked over" upon its base by turning a handle on the rear of the camera base.