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Los Donneños were a 1950s Mexican Norteño duo formed by Ramiro Cavazos and Mario Montes and named after Donna, Texas. [1] Ramiro Cavazos was the lead singer and played the bajo sexto, while Mario Montes was second voice and played the accordion. On some recordings they were joined by a string bass player, Rafael Gaspar.
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Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
Latin Classics - Mijares is the sixth compilation album by Mexican pop singer Mijares.It is part of an EMI International series, all with similar artwork featuring compilations of artists included Jon Secada, Los Mismos, Alvaro Torres, Los Alegres de Terán, Mazz, Emilio Navaira, Grupo Modelo, Baron de Apodaca, Jose Luis Perales, Ednita Nazario, Daniela Romo, Barrio Boyzz, Paulina Rubio ...
Falso Amor (also known as Casas de Carton) is the debut studio album released by Los Bukis in 1975. After signing with Discos Melody in Mexico.Note: "Casas de Carton" was taken out of later publications of this album due to its controversial nature, being replaced by a cover of King Clave song "Los Hombres No Deben Llorar" as the first song.
Mas alla de los Gritos (Beyond the Screams) is a 1999 documentary film featuring the Latino/Chicano punk movement from the late 1970s up until the early 1990s.Producer Martin Sorrondeguy singer of hardcore punk bands Los Crudos and Limp Wrist, also founder of record label, Lengua Armada Discos, documentary film director and a prominent figure in both the straight edge scene and the queercore ...
Las 30 Cumbias Más Pegadas (English: The 30 Best Cumbias) is a compilation album featuring music from Los Angeles Azules, Los Askis, Rayito Colombiano, Grupo Latino, Grupo Maracuya, Los Llayras, Mr. Chivo, Aniceto Molina, Super Grupo G, La Tropa Vallenata, Los Vallenatos, Yahari, among others.