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They were written for Mozart's lifelong friend Joseph Leutgeb. The concertos (especially the fourth) were written as virtuoso vehicles that allow the soloist to show a variety of abilities on the valveless horns of Mozart's day. The Horn Concertos are characterized by an elegant and humorous dialogue between the soloist and the orchestra.
Blue Monday, (1927) a piano suite based on Gershwin's one-act opera of the same name; Merry Andrew, (1928) arrangement of a dance piece from Rosalie; Three-Note Waltz, (1931) Also known as Melody #36. Unpublished. Piano Transcriptions of Eight Songs (1932) George Gershwin’s Song-Book (1932), complex arrangements of 18 Gershwin songs
Based on the ASCAP database, "I'm Headin' for California" was written by Glenn Miller with Arthur Malvin, a member of the Crew Chiefs, copyrighted on September 21, 1944, and published by the Chappell Co., Inc. [44] [47] The song was released as a 78 single, RCA Victor 20–1834, b/w "Swing Low, Sweet Chariot" by the Glenn Miller Orchestra led ...
Lynne and Tandy reunited again on 12 November 2013 to perform, under the name Jeff Lynne and Friends, "Livin' Thing" and "Mr. Blue Sky" at the Children in Need Rocks concert at Hammersmith Eventim Apollo, London. The backing orchestra was the BBC Concert Orchestra, with Chereene Allen on lead violin. [20]
This is a list of composers by name, alphabetically sorted by surname, then by other names.The list of composers is by no means complete. It is not limited by classifications such as genre or time period; however, it includes only music composers of significant fame, notability or importance who also have current Wikipedia articles.
No. 5 I Never Spoke To Her; No. 6 As They Repeated: "Fool" Op. 26 Sérénade mélancolique in B ♭ minor, for violin and orchestra (1875) Op. 27 6 Songs (1875) Op. 28 6 Songs (1875) Op. 29 Symphony No. 3 in D Polish (1875) Op. 30 String Quartet No. 3 in E ♭ minor (1876) Op. 31 Marche slave in B ♭ minor, for orchestra (1876)
Op. 15 Piano Concerto No. 1 in D minor : piano, orchestra 1854–58 original version as Sonata for Two Pianos 1854 (Mvts 2 & 3 are Anh. 2a/2) (discarded), 2nd version as Symphony in D minor in 4 mvts (4th mvt never written) 1854–55 (Mvts 2 & 3 are Anh. 2a/2) (discarded), final version (Piano Concerto) in 3 mvts (only 1st mvt from previous versions, 2nd & 3rd mvts new) 1855–58;
The following works are some of the most universally respected and established cornerstones of the band repertoire. All have "stood the test of time" through decades of regular performance, and many, either through an innovative use of the medium or by the fame of their composer, helped establish the wind band as a legitimate, serious performing ensemble.