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Metaphysical painting (Italian: pittura metafisica) or metaphysical art was a style of painting developed by the Italian artists Giorgio de Chirico and Carlo Carrà. The movement began in 1910 with de Chirico, whose dreamlike works with sharp contrasts of light and shadow often had a vaguely threatening, mysterious quality, "painting that which ...
She painted "several series of impressive paintings exploring spiritual or sacred concepts". Her unique style united, in Tessel Bauduin's opinion, "geometric and biomorphic form with a free line". [60] [note 11] Af Klint considered abstract art to be the "spiritual precursor of a utopian social harmony, a world of tomorrow."
R. G. Collingwood suggested in his published work title, The Principles of Art, that the theory of art was developed upon the theory of the world. [9] Collingwood states in his work that art is imaginary by using the example that if one creates music based on their imagination then a tune is an imaginary thing. [12]
Nelson Goodman, Languages of Art: An Approach to a Theory of Symbols, 1968/1976; Richard Wollheim, Art and Its Objects, 1968; Rudolf Arnheim, Visual Thinking, 1969; Theodor Adorno, Aesthetic Theory, 1970; Richard Schechner, Essays on Performance Theory, 1976/2004; Arthur Danto, The Transfiguration of the Commonplace: A Philosophy of Art, 1981
[2] [3] Thus, while philosophy characteristically inquires into the nature of being, the reality of objects, the possibility of knowledge, the nature of truth, and so on, metaphilosophy is the self-reflective inquiry into the nature, aims, and methods of the activity that makes these kinds of inquiries, by asking what is philosophy itself, what ...
Some art theorists have proposed that the attempt to define art must be abandoned and have instead urged an anti-essentialist theory of art. [9] In 'The Role of Theory in Aesthetics' (1956), Morris Weitz famously argues that individually necessary and jointly sufficient conditions will never be forthcoming for the concept 'art' because it is an ...
Аԥсшәа; العربية; Azərbaycanca; تۆرکجه; বাংলা; Башҡортса; Беларуская (тарашкевіца) Bosanski; Català
Peirce divided metaphysics into (1) ontology or general metaphysics, (2) psychical or religious metaphysics, and (3) physical metaphysics. Henri Bergson (1859 – 1941) – French philosopher, influential especially in the first half of the 20th century. Bergson considered change to be the fundamental nature of reality.