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The culture of the Ming dynasty was deeply rooted in traditional Chinese values, but also saw a flourishing of fine arts, literature, and philosophy in the late 15th century. During this time, the government played a stronger role in shaping culture, requiring the use of Zhu Xi 's interpretation of Neo-Confucianism in civil service examinations ...
Sino-Japanese vocabulary, also known as kango (Japanese: 漢語, pronounced, "Han words"), is a subset of Japanese vocabulary that originated in Chinese or was created from elements borrowed from Chinese. Some grammatical structures and sentence patterns can also be identified as Sino-Japanese.
Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006). Chinese symbolism and art motifs : a comprehensive handbook on symbolism in Chinese art through the ages. New York: Tuttle Pub. ISBN 978-1-4629-0314-6. OCLC 782879753
During the 19th century packs of Chinese playing cards from the province of Fujian actually included money-suited decks that used the term "Wanguan". [63] Ming dynasty period scholar Pan Zhiheng noted in his work Yezi pu ("A Manual of Leaves"), a playing cards manual, that the Myriad gets its name from piling up ten strings of 1000 cash coins. [63]
During the Ming dynasty (1368–1644), Chinese painting progressed further basing on the achievements in painted art during the earlier Song dynasty and Yuan dynasty. The painting techniques which were invented and developed before the Ming period became classical during this period. More colours were used in painting during the Ming dynasty.
After studying and comparing the scroll with a number of Buddhist, Church of the East Christian and Manichaean works of art, Gulácsi concluded in her article A Manichaean Portrait of the Buddha Jesus: Identifying a Twelfth-Thirteenth-century Chinese Painting from the Collection of Seiun-ji Zen Temple, that the painting is a Manichaean work of art:
The terminology included may relate to prehistoric art of the Jomon and Yayoi periods, Japanese Buddhist art, nihonga techniques using sumi and other pigments and dyes, various artisan crafts such as lacquerware techniques, katana and swordmaking, temple, shrine, and castle architecture, carpentry terms, words relating to kimono making industry ...
Handscrolls were introduced to Japan centuries later through the spread of Buddhism. The earliest extant Japanese handscroll was created in the eighth century and deals with the life of the Buddha. Japanese horizontal picture scrolls are called emakimono (or emaki), and more often cover narrative subjects than their Chinese equivalents. [7]