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The Sense of an Ending is a 2017 mystery drama film directed by Ritesh Batra and written by Nick Payne, based on the 2011 novel of the same name by Julian Barnes.The film stars Jim Broadbent, Charlotte Rampling, Harriet Walter, Billy Howle, Emily Mortimer and Michelle Dockery.
The Sense of an Ending is a 2011 novel written by British author Julian Barnes.The book is Barnes's eleventh novel written under his own name (he has also written crime fiction under the pseudonym Dan Kavanagh) and was released on 4 August 2011 in the United Kingdom.
Julian Patrick Barnes (born 19 January 1946) is an English writer. He won the Man Booker Prize in 2011 with The Sense of an Ending, having been shortlisted three times previously with Flaubert's Parrot, England, England, and Arthur & George.
Walter's films include Sense and Sensibility (1995), Bedrooms and Hallways (1998), The Governess (1998), Onegin (1999), Villa des Roses (2002) and Bright Young Things (2003). In 1987, she portrayed Harriet Vane in three instalments of the BBC's A Dorothy L. Sayers Mystery , and played Detective Inspector Natalie Chandler from 2009 to 2012 in ...
Matthew William Goode (born 3 April 1978) is a British actor. [2] Goode made his screen debut in 2002 with ABC's television film Confessions of an Ugly Stepsister.. His breakthrough role was in the romantic comedy Chasing Liberty (2004), for which he received a nomination at the Teen Choice Awards for Choice Breakout Movie Star – Male.
The Sense of an Ending: Studies in the Theory of Fiction is the most famous work of the literary scholar Frank Kermode. It was first published in 1967 by Oxford University Press . The book originated in the Mary Flexner Lectures, given at Bryn Mawr College in 1965 under the title 'The Long Perspectives'.
Mavor was born in Glasgow, but grew up in Inverleith, Edinburgh. [1] Her father, James Mavor, is a playwright who leads the MA screenwriting course at Napier University. [citation needed] Her grandfather, Ronald Bingo Mavor, was The Scotsman's theatre critic in the early 1960s before he became the director of the Scottish Arts Council. [2]
Most of the other travel in the film makes perfect sense - after their first meeting on the Millennium Bridge he follows Veronica into St Paul's Tube, from whence she gets the Central Line to Bank then the Northern Line up to Highgate, and for their second we see him coming up from Leicester Square Tube to Foyle's Bookshop.