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Sana'a al-Haneen, performed by Hussain Moheb. Sanaa has a rich musical tradition and is particularly renowned for the musical style called al-Ghina al-San'ani (Arabic: الغناء الصنعاني al-ġināʾ aṣ-Ṣanʿānī), or "the song of Sanaa", which dates back to the 14th century and was designated as a UNESCO Intangible Cultural Heritage on November 7, 2003. [3]
These performances highlight Yemeni traditional instruments and dances alongside classical orchestral music. Al-Ghoom aims to bring attention to Yemen's cultural richness and to inspire global audiences while preserving its traditions. Despite the challenges of Yemen's circumstances, Al-Ghoom has made a notable impact in the music scene. [3] [4]
Double-skinned (double-headed) drums - Oman Centre for Traditional Music; Traditional music in the Yemen - The British-Yemeni Society; Charles Capwell, 'Contemporary Manifestations of Yemeni-Derived Song and Dance in Indonesia', Yearbook for Traditional Music, Vol. 27, (1995), pp. 76–89; Marwas - Musical instruments of Malaysia
Heritage Symphonies (Arabic: السيمفونيات التراثية, romanized: Al-Symphoniat Al-Thuratiah) is a cultural foundation project founded in 2019 in Yemen, it aims to promote and disseminate folk music, by integrating it into an orchestral performance that combines folk music styles and traditional instruments with Western instruments.
Yemenite Songs (Hebrew: שירי תימן) is a 1984 album by Ofra Haza, in which the Israeli pop star returned to her roots interpreting traditional Yemeni Jewish songs with lyrics coming from the poetry of 16th century Rabbi Shalom Shabazi. The album was recorded with both traditional and modern musical instruments; wooden and metal ...
Both "Im Nin'Alu" and "Galbi" were originally recorded for the 1984 album Yemenite Songs (also known as Fifty Gates of Wisdom), containing modern versions of traditional Yemeni Jewish songs, recorded with drum machines and synthesizers but still with comparatively traditional arrangements and instruments, including strings, woodwind and brass, as well as distinctive percussion like Yemeni tin ...
A-WA first formed in 2011, after the trio finished college, [7] and they began uploading music to YouTube. [8]A-WA in 2016. The trio was discovered by Tomer Yosef, the lead singer of Balkan Beat Box, to whom they sent a demo of "Habib Galbi", a traditional Yemenite melody sung in the Yemenite dialect of Judeo-Arabic.
Marfa is a Yemeni Arabic word used for the kettledrum. [4] Due to the Hadhrami people's influence on the culture of the Ethiopian Siddis, the word marfa became a symbol of the music played using the kettledrum. [5] [6] Kettledrums are replaced with Handi kettledrums [3] in the Siddi form of marfa music played in Hyderabad, India. [7]