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Pink Lady (ピンク・レディー, Pinku Redī) are a Japanese female pop music duo of the late 1970s and early 1980s, featuring Mie (Mitsuyo Nemoto, born March 9, 1958) and Keiko Masuda (formerly Kei, born September 2, 1957).
Director Shin'ya Yamamoto is known as one of the "Founding Fathers" of the pink film. [5] In his Behind the Pink Curtain: The Complete History of Japanese Sex Cinema, Jasper Sharp credits Yamamoto with almost single-handedly injecting the element of light-hearted fun into pink cinema. [6]
Pink Babies (ピンク・ベイビーズ, Pinku Beibīzu) was a 14-member Japanese female idol group that was active from 2014 to 2017. Created by songwriter/producer Shunichi Tokura as part of his "Pan-Pacific Project", the group was a tribute to the 1970s J-pop duo Pink Lady, performing only songs written by Tokura.
Despite the decline in studios, pink films were still a significant force in Japanese cinema, and of the 287 films released in Japan in 2003, 89 were pink films. [36] In 2004, the studio released Tsumugi which marked the pink film debut of AV Idol and actress Sora Aoi.
Pink (Japanese: ピンク, Hepburn: Pinku) is a 1989 Japanese manga by Kyoko Okazaki. Originally published by Magazine House, the manga follows the life of Yumiko, who works as both a call girl and an office lady. The story explores her relationships and how they are shaped by the social and economic climate of Tokyo in the 1980s.
Anarchy in Japansuke (アナーキー・イン・じゃぱんすけ, Anaakii in jyapansuke) original title Anarchy in Japansuke: The Woman Who Comes When Watched (アナーキー・イン・じゃぱんすけ 見られてイク女, Anaakii in jyapansuke: mirarete iku onna) is a 1999 Japanese pink film directed by Takahisa Zeze.
Office Lady Love Juice (OLの愛汁 ラブジュース, OL no aijiru: rabu jūsu) is a 1999 Japanese Pink film directed by Yūji Tajiri. It was chosen as Best Film of the year at the Pink Grand Prix ceremony. After her boyfriend leaves her, a 28-year-old woman has a romance with a 20-year-old man. [1]
Because 3.5 million yen was the budget imposed on works in the pink film genre, an all-color production had been beyond the means of directors in the 1960s. Some films had been shot partially in color, using color only for certain scenes, a practice that would continue until Nikkatsu took over the genre with its Roman porno series in 1971. [3]