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The Neapolitan nativity scene of the Royal Palace of Caserta. [1] The Neapolitan nativity scene is a representation of the birth of Jesus traditionally set in Naples in the eighteenth century. [1] The Neapolitan crib art has remained unchanged for centuries, becoming part of the most consolidated and followed Christmas traditions of the city.
Neapolitan presepio at the Carnegie Museum of Art in Pittsburgh Detail of an elaborate Neapolitan presepio in Rome. In the Christian tradition, a nativity scene (also known as a manger scene, crib, crèche (/ k r É› ʃ / or / k r eɪ ʃ /), or in Italian presepio or presepe, or Bethlehem) is the special exhibition, particularly during the Christmas season, of art objects representing the birth ...
A santon figurine of a produce seller Nativity scene with santons. A santon is a small hand-painted figurine cast in terracotta or a similar material that is used for building nativity scenes. Santons are a traditional product of the Provence region of southeastern France. A maker of santons is called a santonnier. [1]
The exact origin of the Caganer is unknown, but the tradition has existed since at least the 18th century. [1] According to the society Amics del Caganer (Friends of the Caganer), it is believed to have entered the nativity scene by the late 17th or early 18th century, during the Baroque period.
The sale of 17 and 18 March featured 1,837 pictures; the Louvre had 1,406 at the time. [5] The collection included Fra Angelico's Last Judgement and Poussin's A Dance to the Music of Time. [6] It was next owned by Claudius Tarral of Paris and sold at his sale at Christie's, London on 11 June 1847 (lot 55) as Adoration of the Shepherds by ...
Shell-shaped snuffbox, by Gricci, Caselli and a goldsmith, 1745–1750 [22]. The true Capodimonte wares of the short period between 1743 and 1759 included tableware of the usual types, figures, and the Porcelain boudoir of Maria Amalia of Saxony entirely made of porcelain panels in a chinoiserie style, originally made for the Palace of Portici (1757–59), but now moved to the Capodimonte ...
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