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Secrétaire à abattant by Jean-François Leleu, Paris, ca 1770 (Musée Nissim de Camondo, Paris). French furniture comprises both the most sophisticated furniture made in Paris for king and court, aristocrats and rich upper bourgeoisie, on the one hand, and French provincial furniture made in the provincial cities and towns many of which, like Lyon and Liège, retained cultural identities ...
It featured Roman and Greek motifs. The later furniture featured decorative elements of Chinoiserie and other exotic styles. [1] Louis XV furniture was designed not for the vast palace state rooms of the Versailles of Louis XIV, but for the smaller, more intimate salons created by Louis XV and by his mistresses, Madame de Pompadour and Madame ...
The Louis XV style or Louis Quinze (/ ˌ l uː i ˈ k æ̃ z /, French: [lwi kɛ̃z]) is a style of architecture and decorative arts which appeared during the reign of Louis XV. From 1710 until about 1730, a period known as the Régence , it was largely an extension of the Louis XIV style of his great-grandfather and predecessor, Louis XIV .
A bergère is an enclosed upholstered French armchair [1] with an upholstered back and armrests on upholstered frames. [2] The seat frame is over-upholstered, but the rest of the wooden framing is exposed: it may be moulded or carved, and of beech, painted or gilded, or of fruitwood, walnut or mahogany with a waxed finish. Padded elbowrests may ...
With the death of Louis XV on May 10, 1774, his grandson Louis XVI became King of France at age twenty. The new king had little interest in the arts, but his wife, Marie-Antoinette, and her brothers-in-law, the Comte de Provence (the future Louis XVIII) and the Comte d'Artois (the future Charles X), were deeply interested in the arts, gave their protection to artists, and ordered large amounts ...
The Louis XVI style was a reaction to and transition the French Baroque style, which had dominated French architecture, decoration and art since the mid-17th century, and partly from a desire to establish a new Beau idéal, or ideal of beauty, based on the purity and grandeur of the art of the Ancient Romans and Greeks.
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