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The first larger round hay baler was invented by Gary Vermeer in 1971. Allis Chalmers first introduced the small round rotobaler in 1947. Vermeer begins building large trenchers to lay underground pipelines in the 1980s. The first Vermeer horizontal directional drill is introduced in the 1990s. [9]
A Claas large round baler Baling hay. A baler or hay baler is a piece of farm machinery used to compress a cut and raked crop (such as hay, cotton, flax straw, salt marsh hay, or silage) into compact bales that are easy to handle, transport, and store. Often, bales are configured to dry and preserve some intrinsic (e.g. the nutritional) value ...
Allis-Chalmers Roto Baler Allis-Chalmers Small Square Baler. The first model introduced in 1947 was called the "Roto-Baler" and the fore-runner of modern round balers, albeit with much smaller bales. The Roto-Baler had a production run from 1947 to 1964 and then again from 1972 to 1974. [48] Allis Chalmers also built many small square baler models.
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The Milkmaid by Johannes Vermeer, exhibition catalog fully online as PDF from The Metropolitan Museum of Art, which contains material on the painting; Johannes Vermeer, A Lady Reading a Letter, Colourlex; High resolution image at Google Cultural Institute
Richard is a new art teacher at a high school. Cornelia Englebrecht (played by Glenn Close) is a history teacher who invites Richard to see a painting of a young girl at a table, which she believes to be a genuine Vermeer, where she tells him stories, which are portrayed as flashbacks about the people who owned the painting in the past.
Lionel Stevenson wrote that "The most explosive impact in English literature during the nineteenth century is unquestionably Thomas Carlyle's. From about 1840 onward, no author of prose or poetry was immune from his influence." George Eliot's novel Middlemarch stands as a great milestone in the realist tradition. It is a primary example of ...
Vermeer consistently used the same objects within his paintings such as the draped rug, the white water jug, various instruments, tiled floor and windows that convey light and shadows. This is one of few paintings produced by Vermeer which were kept in his home until his death in 1675 when his family was forced to sell them.