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Some writers distinguish aesthetics from the philosophy of art, claiming that the former is the study of beauty and taste while the latter is the study of works of art. Slater holds that the "full field" of aesthetics is broad, but in a narrow sense it can be limited to the theory of beauty, excluding the philosophy of art. [ 1 ]
For instance, a sandhill crane is not an art object; an art object is not a sandhill crane. In fact, an art object should be called an artifact. [5] The crane is wildlife on its own and is not an art object. This can be related to Saito's definition of the cognitive view. In elaboration, the crane lives through various ecosystems such as ...
Rasa is an ancient concept in Indian arts about the aesthetic flavor of any visual, literary or musical work, that evokes an emotion or feeling in the reader or audience, but that cannot be described. [34] According to the Natya shastra, the goal of arts is to empower aesthetic experience, deliver emotional rasa (juice, taste).
Theories of aesthetic response [1] or functional theories of art [2] are in many ways the most intuitive theories of art. At its base, the term "aesthetic" refers to a type of phenomenal experience, and aesthetic definitions identify artworks with artifacts intended to produce aesthetic experiences. Nature can be beautiful and it can produce ...
An history of aesthetics; The Concept of the Aesthetic; Aesthetics entry in the Routledge Encyclopedia of Philosophy; Philosophy of Aesthetics entry in the Philosophy Archive; Washington State Board for Community & Technical Colleges: Introduction to Aesthetics; Art Perception Complete pdf version of art historian David Cycleback's
Aestheticism (also known as the aesthetic movement) was an art movement in the late 19th century that valued the appearance of literature, music, fonts and the arts over their functions. [ 1 ] [ 2 ] According to Aestheticism, art should be produced to be beautiful, rather than to teach a lesson , create a parallel , or perform another didactic ...
Ancient Greeks focused on the aesthetic form of the ideal human body. [14] captured through the art. [15] Sculptures were initially inspired by the monumental art of the Ancient Egyptians. [14] Sculptures were considered at their peak of aesthetics when the human form was captured in a unique way and emphasized a divine or godlike quality.
Art and (aesthetic) mythology, according to Dewey, is an attempt to find light in a great darkness. Art appeals directly to sense and the sensuous imagination, and many aesthetic and religious experiences occur as the result of energy and material used to expand and intensify the experience of life.