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Cellulose diacetate film was first created by the German chemists Arthur Eichengrün and Theodore Becker, who patented it under the name Cellit, from a process they devised in 1901 for the direct acetylation of cellulose at a low temperature to prevent its degradation, which permitted the degree of acetylation to be controlled, thereby avoiding total conversion to its triacetate.
Cellulose acetate is also known as "safety" film and started to replace nitrate film in still photography in the 1920s. [1] There are several types of acetate that were produced after 1925, which include diacetate (c. 1923 – c. 1955), acetate propionate (1927 – c. 1949), acetate butyrate (1936–present), and triacetate (c. 1950 – present). [1]
Cellulose acetate film, made from cellulose diacetate and later cellulose triacetate, was introduced in 1934 as a replacement for the cellulose nitrate film stock that had previously been standard. When exposed to heat or moisture, acids in the film base begin to deteriorate to an unusable state, releasing acetic acid with a characteristic ...
It can happen during a film screening when a frame becomes stuck in the projector's film gate. Acetate films are also subject to degradation over time. With exposure to heat, moisture, or acids, the acetyl groups are broken from their molecular bonds to the cellulose. The now free acetic acid is released into the air. Acetic acid is vinegar ...
Cellulose acetate film, which was the initial replacement for nitrate, has been found to suffer from "vinegar syndrome". [14] Polyester film base, which replaced acetate, also suffers from fading colors. [5] Storage at carefully controlled low temperatures and low humidity can inhibit both color fading and the onset of vinegar syndrome.
Acetate films were replaced in the early 1980s by polyester film base materials which have been determined to be more stable than film stocks with a nitrate or acetate base. Color prints made on most inkjet printers look very good at first but they have a very short lifespan, measured in months rather than in years.
Water is one of the agents of deterioration. Its effects can be seen in these flood-damaged library books. The 'ten agents of deterioration' are a conceptual framework developed by the Canadian Conservation Institute (CCI) used to categorise the major causes of change, loss or damage to cultural heritage objects (such as collections held by galleries, libraries, archives and museums). [1]
From 1922 to 1957 it was used to make film stock, mainly in smaller formats such as 8 mm, 16 mm, 35 mm, and 70 mm. It has also been used in seed coating applications. [1] In photography, a film substrate made from cellulose diacetate is called safety film. Cellulose diacetate is hydrophilic [2] and biodegradable. [3]