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She co-authored the story of contemporary Inuit art of Canada in the book catalogue which she edited for her major survey exhibition, Creation and Transformation: Defining Moments in Inuit Art (2014) which drew on 250 pieces from the gallery’s collection and was co-published by the gallery and Douglas & McIntyre.
Angutitok used soapstone, ivory and whalebone in her art. Some of her sculptures portray scenes from the Bible; she was encouraged by Father Bernie Franzen. She also created sculptures of female figures. [1] In 2002, Canada Post created a Christmas stamp based on her sculpture Mary and Child. [2] [5]
The first generation of Inuit artists in Kinngait (formerly Cape Dorset) in the 1940s and 1950s sold their carvings to the Baffin Trading Company (1939–1946) and the Hudson's Bay Company. The West Baffin Eskimo Cooperative was founded in Kinngait in 1959 and became the primary purchaser of arts and craft items.
The McMichaels' personal collection of Inuit stone carvings, and West Coast First Nations wood carvings, masks, and totem poles were donated to the province as a part of the 1965 agreement. [27] By 1981, approximately 42 per cent of works in the permanent collection were works by indigenous Canadian artists. [26]
The site consists of over 150 carvings of faces in soapstone. [ 2 ] [ 3 ] It was created by the Dorset people , the culture who inhabited the Canadian eastern Arctic and Greenland beginning approximately 2,200 years ago before disappearing approximately 1,000 years ago, and who inhabited the region prior to the Thule Inuit who arrived ...
In 1972, his brother Abraham Anghik Ruben introduced him to stone carving. [2] He also studied books on art. [3] He attributes the impetus behind making his work to art patron Dr. Allan Gonor from North Battleford, Saskatchewan in 1974. Gonor suggested he use stories Piqtoukun collected in his sculpture. [4] Gonor told Piqtoukun:
The Centre includes a Tapestry Studio, a Craft Gallery, and a Print Shop. In spite of its remote location and small population, numerous Inuit from Pangnirtung have successfully marketed their prints, carvings, sculptures, and textile arts, such as woven wall hangings, to southern collectors. Starting in the 1970s, limited edition prints from ...
Avaalaaqiaq Tiktaalaaq began her art career between 1969 and 1970 with small soapstone carvings, often of animals with human heads. [5]Her works are part of the collections at the National Gallery of Canada, the Winnipeg Art Gallery, the Baltimore Museum of Art, and the Macdonald Stewart Art Centre and the College of William and Mary in Virginia.
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