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Guernica is a large 1937 oil painting by Spanish artist Pablo Picasso. [1] [2] It is one of his best-known works, regarded by many art critics as the most moving and powerful anti-war painting in history. [3]
After a brief voice-over by Jacques Pruvost describing the bombing of Guernica on 26 April 1937, María Casares recites a poem by Paul Eluard on the subject of that atrocity, accompanied by imagery from numerous paintings, drawings, and sculptures produced by Pablo Picasso between 1920 and 1949, particularly Guernica (1937). The oppressive ...
Picasso created the image between 1944 and 1945, using oil and charcoal on canvas. The painting measures 199.8 cm x 250.1 cm. [8] Echoing the composition of Guernica, Picasso used Expressionist forms to convey the tortured images of the figures, using funereal shades of gray, white and black. The image depicts the contorted bodies of a man ...
The bombing of Guernica by Nazi Germany's Luftwaffe and the Italian Aviazione Legionaria was deliberately chosen to occur on a Monday (April 26, 1937), because it was known that the Basque people who lived outside of Guernica proper would travel into town for the Market Day, thus affording the pilots of the German and Italian aircraft the ...
Massacre in Korea (French: Massacre en Corée) is an expressionist painting completed on 18 January 1951 by Pablo Picasso.Picasso's third anti-war painting after Guernica and The Charnel House, Massacre depicts a scene of a massacre of a group of naked women and children by a firing squad.
Pablo Picasso, 1913, Compotier avec fruits, violon et verre (Bowl with Fruit, Violin, and Wineglass), charcoal, chalk, watercolor, oil paint, and coarse charcoal or pigment in binding medium on applied papers, mounted on cardboard, 64.8 x 49.5 cm (25 1/2 x 19 1/2 inches), Philadelphia Museum of Art
The exhibition, entitled Picasso: 40 Years of His Art, was organized by Alfred H. Barr (1902–1981), in collaboration with the Art Institute of Chicago. The exhibition contained 344 works, including the major 1937 painting Guernica and its studies, as well as Les Demoiselles. [85]
The setting of this version is a bare, dark brown, boxlike space, where the floor is a lighter brown color than the walls. Unscrambling the jigsaw in this one is quite a challenge. In the space are three figures behind a table. On the table are still–life objects, which Picasso identified as a pipe, a package of tobacco, and a pouch.
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