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Marxist literary criticism is a theory of literary criticism based on the historical materialism developed by philosopher and economist Karl Marx.Marxist critics argue that even art and literature themselves form social institutions and have specific ideological functions, based on the background and ideology of their authors.
Harry Blamires (6 November 1916 – 21 November 2017) was an English Anglican theologian, literary critic, and novelist. Blamires was once head of the English department at King Alfred's College (now the University of Winchester ) in Winchester, England .
The original theory behind this form of analysis is commonly associated with Georg Lukács, Antonio Gramsci, and the Frankfurt School, representing an important tendency within Western Marxism. Marxist cultural analysis has commonly considered the industrialization, mass-production, and mechanical reproduction of culture by the "culture ...
The gender/queer lens, while influenced by the feminist lens, treats gender as more of a spectrum, and also considers human sexuality. [5] David Richter notes in The Critical Tradition: Classic Texts and Contemporary Trends that "XXY syndromes, natural sexual bimorphisms, as well as surgical transsexuals [...] defy attempts at binary classification".
The appearance of Reading Capital and For Marx in English translation influenced the development of Marxist thought in the Anglophone world throughout the 1970s. [ 4 ] The Marxian economist Harry Cleaver wrote that Althusser and his co-authors provided one of the most politically influential of the philosophical reinterpretations of Das Kapital ...
The criticism most often heard from the critics of Marx, such as Friedrich von Hayek, Karl Popper, Francis Wheen and Ian Steedman is that, even if Marx himself meant well, Marx's value-form idea is simply an esoteric obscurantism, "dialectical hocus pocus", "sophistry", or "mumbo jumbo". Francis Wheen refers to "a shaggy-dog story, a picaresque ...
As Marxist Literary theory underwent a 'cultural turn,' Illusion and Reality was increasingly seen as dogmatic and rigid in its discussion of bourgeois poetry. The debate shifted away from its use of Freudian concepts to its ties with Stalinist Marxism .
Western Marxism, Marxist hermeneutics, Marxist humanism: Amadeo Bordiga: Ercolano, Kingdom of Italy: Formia, Italy: Italian 1889–1970 Italian Left communism, Leninism: Bertolt Brecht [6] Augsburg, German Empire: East Berlin, East Germany: German 1898–1956 Marxist literary criticism: Nikolai Bukharin: Moscow, Russian Empire