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Old muley cow come on to the track, Doo-dah! doo-dah! The bob-tail fling her over his back, Oh, doo-dah-day! Then fly along like a rail-road car, Doo-dah! doo-dah! Runnin' a race with a shootin' star, Oh, doo-dah-day! CHORUS See them flyin' on a ten mile heat, Doo-dah! doo-dah! Round the race track, then repeat, Oh, doo-dah-day!
Contrary to claims on the packaging, Terry Gilliam's animations also do not appear on this release, although Gilliam does appear as one of the additional writers in the credits for episodes 3 and 4. The Bonzo Dog Doo Dah Band was seen playing their song "Death Cab for Cutie" (also performed in the Beatles' film Magical Mystery Tour) on the DVD ...
Vivian Stanshall (born Victor Anthony Stanshall; 21 March 1943 – 5 March 1995) [1] was an English singer-songwriter, [2] musician, author, poet and wit, best known for his work with the Bonzo Dog Doo-Dah Band, for his exploration of the British upper classes in Sir Henry at Rawlinson End (as a radio series for John Peel, as an audio recording, as a book and as a film), and for acting as ...
Doo Dah, doo dahs, doodah or doodahs can refer to: the repeated line-ending of the lyrics of the 1850 song "Camptown Races" "DooDah!", 1998 song by Cartoons, inspired by "Camptown Races" Doo Dah Parade, held in Pasadena, California, US; a placeholder name for an object, also doodad and doohickey
He was a founder member of the Bonzo Dog Doo-Dah Band. The band was officially formed on 25 September 1962, at Slater’s home at 164c Rosendale Road, West Dulwich, when Vivian Stanshall and Rodney met and quickly bonded, after being introduced by Slater's flatmate Tom Parkinson. At the time, Slater was already playing in a traditional jazz ...
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Innes's inspiration for the song was the title of a story in an old American pulp fiction crime magazine he came across at a street market. [1] Stanshall's primary contribution was to shape "Death Cab for Cutie" as a parody of Elvis Presley (notably Presley's 1957 hit "(Let Me Be Your) Teddy Bear"), and he sang it as such, with undertones of 1950s doo-wop.
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