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Häxan (1922), a horror essay film about the historical roots and superstitions surrounding witchcraft. A film essay (also essay film or cinematic essay) consists of the evolution of a theme or an idea rather than a plot per se, or the film literally being a cinematic accompaniment to a narrator reading an essay. [9]
Robert J. Flaherty's 1922 film Nanook of the North is typically cited as the first feature-length documentary. [1] Decades later, Walt Disney Productions pioneered the serial theatrical release of nature-documentaries with its production of the True-Life Adventures series, a collection of fourteen full length and short subject nature films from 1948 to 1960. [2]
Häxan (1922), a horror essay film about the historical roots and superstitions surrounding witchcraft. A film essay (also essay film or cinematic essay) consists of the evolution of a theme or an idea rather than a plot per se, or the film literally being a cinematic accompaniment to a narrator reading an essay. [26]
A two-person film crew could now realize Vertov’s vision and sought to bring real truth to the documentary milieu. Unlike the subjective content of poetic documentary, or the rhetorical insistence of expositional documentary, observational documentaries tend to simply observe, allowing viewers to reach whatever conclusions they may deduce.
True-Life Adventures is a series of short and full-length nature documentary films released by Walt Disney Productions between the years 1948 and 1960. [1] The first seven films released were thirty-minute shorts, with the subsequent seven films being full features.
Both are computer-animated films about wild animals who are at war with humans. Happy Feet: 2006 Surf's Up: 2007 Both are computer-animated comedy films about penguins. [47] [37] The Zombie Diaries: 2006 Diary of the Dead: 2007 Both are found footage horror films surrounding an outbreak of zombies, along with similar titles. An American Crime: 2007
Some genres, for example television programs and video games, call the epilogue an "outro" patterned on the use of "intro" for "introduction". Epilogues are usually set in the future, after the main story is completed. Within some genres it can be used to hint at the next installment in a series of work.
[45] In an essay titled "The rational wonders of Christopher Nolan", film critic Mike D'Angelo argues that the filmmaker is a materialist dedicated to exploring the wonders of the natural world. "Underlying nearly every film he's ever made, no matter how fanciful, is his conviction that the universe can be explained entirely by physical processes."