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A Qantas aircraft, Boeing 787-9 Dreamliner VH-ZND, is named Emily Kame Kngwarreye and painted in a special livery based on her work Yam Dreaming. Emily Kame Kngwarreye, also spelt Emily Kam Kngwarray, [1] was born c.1910 in Alhalkere in the Utopia Homelands, an Aboriginal community located approximately 250 kilometres north-east of Alice Springs (Mparntwe).
Kngwarreye was a senior Anmatyerre woman, who only commenced painting when she was aged about 80. In the following eight years, she produced 3,000 or more paintings, an average of one painting per day. [2] Earth's Creation is described as part of her "high-colourist" phase. [3]
In 2009, more than 200 works by renowned Aboriginal artist Emily Kame Kngwarreye were set aside from the collection at AGOD to form the core for a Melbourne-located museum. [1] When the gallery owners failed to receive government funding, the Emily Museum was instead opened in early 2013 alongside AGOD, at the gallery space in Cheltenham.
Petyarre was the niece of the influential Aboriginal artist Emily Kame Kngwarreye and had several sisters who are also well-known artists in their own right, among them Gloria, Violet, Myrtle and Jeanna Petyarre. Kathleen, with her daughter Margaret and her sisters, settled at Iylenty (Mosquito Bore) at Utopia Station, near her birthplace.
Kudditji Kngwarreye, also known as "Goob", (1938 – 23 January 2017) was an Australian Aboriginal artist from the Utopia community in the Northern Territory.He was the brother through kinship of the late Emily Kame Kngwarreye.
Petyarre worked in the Women's Batik Group with some of her family, like her sister Kathleen Petyarre and well-known aunt Emily Kame Kngwarreye. Her work, such as "Bush Medicine" was influenced by huge brush strokes and heavy lines. She also created feather-like strokes with vivid colours, like her piece "Thorny Mountain Devil Lizard Dreaming".
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Australia has more than 100,000 Aboriginal rock art sites, [447] and traditional designs, patterns and stories infuse contemporary Indigenous Australian art, "the last great art movement of the 20th century" according to critic Robert Hughes; [448] its exponents include Emily Kame Kngwarreye. [449]