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Both Bilbo and later Frodo Baggins leave Bag End, their comfortable home, setting off into the unknown on their journeys, and returning changed.. Scholars, including psychoanalysts, have commented that J. R. R. Tolkien's Middle-earth stories about both Bilbo Baggins, protagonist of The Hobbit, and Frodo Baggins, protagonist of The Lord of the Rings, constitute psychological journeys.
Sauron's body was destroyed and he lost the ability to appear beautiful. [T 21] Led by Elendil, nine ships escaped from the Downfall; they founded the kingdoms of Gondor and Arnor in Middle-earth. Sauron returned to Mordor and made war on these Exiles. [T 22] He captured Minas Ithil; Elendil's son Isildur escaped down the Anduin.
Newman compares the myth of Elendil and the defeat of Sauron with Jason's taking of the Golden Fleece. In both, a golden prize is taken; in both, there are evil consequences – Elendil's son Isildur is betrayed and the Ring is lost, leading to the War of the Ring and Frodo's quest; Medea murders Jason's children. [4]
The downfall of Númenor and the changing of the world: the island is drowned by Ilúvatar, and Elendil, Isildur and their people escape to Middle-earth. [1]In Tolkien's legendarium, the island of Númenor, in the great sea to the West of Middle-earth, was created at the start of the Second Age as a reward to the men who had fought against the fallen Vala Morgoth, the primary antagonist of the ...
Scholars and critics have identified many themes of The Lord of the Rings, a major fantasy novel by J. R. R. Tolkien, including a reversed quest, the struggle of good and evil, death and immortality, fate and free will, the danger of power, and various aspects of Christianity such as the presence of three Christ figures, for prophet, priest, and king, as well as elements such as hope and ...
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Sauron's body is destroyed, but his spirit escapes to become the new Dark Lord of Middle-earth. A remnant of the Men of Númenor who remained faithful, under Elendil, sail to Middle-earth, where they found the kingdoms of Arnor in the North and Gondor in the South, remaining known as the Dúnedain, "Men of the West".
The name Mirkwood derives from the forest Myrkviðr of Norse mythology. 19th-century writers interested in philology, including the folklorist Jacob Grimm and the artist and fantasy writer William Morris, speculated romantically about the wild, primitive Northern forest, the Myrkviðr inn ókunni ("the pathless Mirkwood") and the secret roads across it, in the hope of reconstructing supposed ...